Death on a Pale Horse (?) c.1825–30
Oil paint on canvas, 23.5 x 29.8 in //
Tate Gallery, London
San Giorgio Maggiore in the Morning, 1819
Watercolor on paper, 11 x 8.7 in //
British Museum, London
Fishermen at Sea, 1796
Oil on canvas, 36 in x 48.1 in //
Tate Britain, London
Peace – Burial at Sea,1842
Oil on canvas, 34 in × 34.1 in //
Tate Britain, London
The Slave Ship, 1840
Oil on canvas, 35.7 in x 48.2 in //
Museum of Fine Arts, Boston
Kenilworth Castle Date: c.1830
Watercolour, bodycolour and graphite on paper
Fine Arts Museums of San Francisco
Saltash with the Water Ferry, Cornwall, 1811
Oil on canvas, 35.3 in x 47.5 in //
Metropolitan Museum of Art, New York
Calais Pier, 1803
Oil on canvas, 67.7 in x 94.4 in //
National Gallery, London
Fisherman's Cottage, Dover, circa 1790
Watercolor, 5.23 in x 7.87 in //
Yale Center for British Art, New Haven, Connecticut
Norham Castle, Sunrise c.1845 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/N01981
Petworth House: The North Gallery at Night, with Figures Contemplating Flaxman’s Statue, ‘St Michael Overcoming Satan,
1827
Ink, watercolour and bodycolour on paper, 5.6 x 7.6 in //
Tate Britain, London
The Opening of the Wallhalla, 1842
Oil paint on mahogany, 44.4 x 79 in
Tate Britain, London
South view of Salisbury Cathedral from the Cloisters, 1802
Watercolour, 35.3 x 13.4 in (framed)
Victoria & Albert Museum, London
Salisbury Cathedral Interior, looking towards the North Transept
c.1801–5
Watercolor, 26 x 20 in
Salisbury Museum, UK
Edgar Degas, French Artist, July 19, 1834 – September 27, 1917
"In painting you must give the idea of the true by means of the false." — Degas
Eugène Manet, 1874
Oil on canvas, 25.6 x 33.9 //
Private Collection
Three Ukrainian Dancers, 1895
Pastel, 24.5 x 20.9 in //
Nationalmuseum, Stockholm, Sweden
At the Milliner's, 1882
Pastel on pale gray wove paper (industrial wrapping paper), laid down on silk bolting, 30 x 34 in //
Metropolitan Museum of Art, New York
Self Portrait with Evariste de Valernes, c.1865
Oil on canvas, 45.9 x 35.3 in
Musée d'Orsay, Paris
Self Portrait Saluting, 1863 92x61cm
Oil on canvas, 36.2 x 24 in //
Museu Calouste Gulbenkian, Lisbon, Portugal
At the Mirror, c. 1889
Pastel on paper, 19.3 x 25.2 in //
Kunsthalle, Hamburg
Harlequin and Columbina, 1886
Two Riders by a Lake, c.1861
Pen and ink //
Bibliothèque nationale de France (BnF), Paris
Paul Lafond and Alphonse Cherfils Examining a Painting,
c. 1878–80
Oil on wood panel, 16 3/4 x 19 11/16 in //
Cleveland Museum of Art
Dancer in Ukrainian Dress, 1899
Pastel over charcoal on tracing paper, 24.3 in x 17.9 in //
Metropolitan Museum of Art, New York
Lowering the Curtain, c.1880
Pastel
Private Collection
Houses at the Foot of a Cliff (Saint-Valéry-sur-Somme.), circa 1895-1898
Oil on canvas, 36.2 in x 28.6 in //
Columbus Museum of Art
The Road, 1878
Monotype (black ink) on china paper
National Gallery of Art, Washington, DC
Portrait of a Woman, 1877
Oil on canvas, 25 1/2 × 21 in //
Detroit Institute of Art
Woman with a Bandage, between 1872 and 1873
Oil on canvas, 13 × 9 3/4 in //
Detroit Institute of Art
Violinist and Young Woman, ca. 1871
Oil and crayon on canvas, 18 1/4 × 22 in //
Detroit Institute of Art
Woman with a Vase, 1872
Oil on canvas, 25.6 x 21.3 in //
Musée d'Orsay, Paris
Lorenzo Pagans and Auguste de Gas, 1871 - 1872
Oil on canvas, 21.25x 15.35 in //
Musée d'Orsay, Paris
Louis-Marie Pilet, Violoncellist in the Orchestra of the Opéra, 1868-69
Oil on canvas, 19.9 x 24 in //
Musée d'Orsay, Paris
Hélène Rouart in her Father's Study, circa 1886
Oil on canvas, 63.9 x 47.6 in //
National Gallery, London
Place de la Concorde, 1875
Oil on canvas, 30.8 x 46.2 in //
Hermitage Museum, St Petersburg
The Bellelli Family, 1858
Oil on canvas, 78.7 x 98.4 in //
Musée d'Orsay, Paris
At the Races in the Countryside, 1869
Oil on canvas, 14.37 x 22 in //
Museum of Fine Arts Boston
The Orchestra at the Opera, circa 1870.
Oil on canvas, 22.2 x 17.7 in //
Musée d'Orsay, Paris
Woman Getting out of the Bath, c. 1877
Pastel over monotype on paper
Norton Simon Museum, Pasadena
Woman in Street Clothes, Portrait of Ellen Andrée, 1879
Pastel on green-grey paper, 19 x 16.5 in //
Private collection
Two Dancers, ca. 1879
Pastel and gouache on paper, 18 1/8 x 26 ¼ in //
Shelburne Museum, Vermont
Woman in a Tub, 1886
Pastel on paper, 27.5 x 27.5 in //
Hill-Stead Museum, Farmington, Connecticut
Nocturne in Blue and Green, 1871
Oil on canvas, 19.7 x 23.3 in //
Tate Gallery, London
Bibi Valentin, 1859
Etching, plate: 6 x 9 in
Smithsonian American Art Museum, Washington, DC
Crepuscule in Flesh Color and Green: Valparaiso, 1866
Oil on canvas, 75.88 x 58.42 cm
Tate Gallery, London
Note in Pink and Brown, ca. 1880
Charcoal and pastel on dark brown wove paper, 11 3/4 x 7 1/4 in //
Metropolitan Museum of Art, New York
Harmony in Gray and Green: Miss Cicely Alexander, 1872 - 1873
Oil on canvas, 74 3/4 x 38 1/2 ins //
Tate Gallery, London
The Swan, Chelsea, c. 1870
Etching //
The Cleveland Museum of Art
Courtyard and Canal, 1879 - 1880
Chalk, 30.1 x 20.2 cm
Nocturne in Black and Gold: The Falling Rocket, 1875
Oil on panel, 23.7 in x 18.2 in //
Detroit Institute of Arts  
Grey and Silver: Old Battersea Reach, 1863
Oil on canvas, 20 × 27 in //
Art Institute of Chicago
Variations in Violet and Grey—Market Place, Dieppe, 1885
Gouache and watercolor on off-white wove paper, mounted on academy board, 7 15/16 x 5 in //
Metropolitan Museum of Art, New York
The Coast of Brittany (aka Alone with the Tide), 1861
Oil on canvas, 34.4 x 45.5 in //
Wadsworth Atheneum Museum of Art, Hartford
Study: Maud Seated, 1878
Lithotint with scraping and roulette in black ink on ivory wove proofing paper, 10 7/16 × 7 1/4 in //
Art Institute of Chicago
The Dancing Girl, 1868 - 1870
Pastel, 11 x 7 in
Two Doorways, Series/Portfolio: First Venice Set ("Venice: Twelve Etchings,") 1880
Etching and drypoint; fourth state of thirteen (Glasgow); printed in black ink on ivory laid paper, 7 15/16 x 11 1/2 in //
Metropolitan Museum of Art, New York
Rose and Silver–Portrait of Mrs. Whibley, 1895-1896
Watercolor on brown paper, 11 1/8 × 7 3/8 in //
The National Museum of Asian Art, Washington, DC
The Priest's Lodging, Dieppe, c.1897
Oil on panel, 6.5 x 9.6 in //
The Hunterian, University of Glasgow
Arrangement in Gray: Portrait of the Painter, ca. 1872
Oil on canvas, 29 1/2 × 21 in //
Detroit Institute of Arts
Nocturne in Gray and Gold, Westminster Bridge
Oil on canvas, 18.5 in x 24.5 in //
Burrell Collection, Glasgow
Nocturne: Blue and Gold - Old Battersea Bridge, circa 1872-1875
Oil on canvas, 26.2 x 19.7 in //
Tate Gallery, London
The Thames in Ice, 1860
Oil on canvas, 29.3 21.7 in //
Freer Gallery of Art, Washington DC
Nocturne in Gray and Gold, from Westminster Bridge, 1874
Oil on canvas, 18.5 x 24.5 in //
Burrell Collection, Glasgow
Mother of Pearl and Silver: The Andalusian, 1888(?)–1900
Oil on canvas, 75.3 x 35.3 in //
National Gallery of Art, Washington, D.C.
Alice Butt, circa 1895
Oil on canvas, 20 3/8 x 15 in //
National Gallery of Art, Washington DC
Nocturne in Pink and Gray, Portrait of Lady Meux, 1881
Oil on canvas, 76.2 x 36.6 in //
The Frick Collection, New York
The Unsafe Tenement, 1858
Etching, 6.2 x 8.8 in //
Freer Gallery of Art, Smithsonian Institution, Washington DC
Little Smithfield, 1872
Etching, 6.2 x 3.8 in //
Colby College Museum of Art, Maine
The 'Adam and Eve', Old Chelsea, 1878
Etching, 6.9 x 11.9 in //
Art Institute of Chicago
Arthur Wesley Dow, American artist, April 6, 1857 – December 13, 1922
Dow posed at the Grand Canyon for Alvin Langdon Coburn.
Willows in the Meadow, from Ipswich Prints, first set, 1902
Photo-mechanical relief reproduction on paper, 7 x 8 in //
Addison Gallery of American Art, Andover, MA
Cosmic Cities, Grand Canyon of Arizona, 1912
Oil On Canvas, 60 x 78 in
Private Collection
The Long Road--Argilla Road, Ipswich, ca. 1898
Color woodcut, 5 3/8 x 8 1/2 in //
Brooklyn Museum, New York
Spanish Soldiers, ca. 1903
Translucent watercolor and touches of opaque watercolor with graphite underdrawing, 12 x 18 1/16 in //
Brooklyn Museum, New York
Riva Degli Schiavoni, Venice, c.1904
Watercolor on paper, 100 x 140 in //
Tate Gallery, London
Daphne, 1910
Translucent watercolor, with touches of opaque watercolor and wax resist, over graphite on paper, 20 11/16 x 15 13/16 in //
Museum of Fine Arts, Boston
Dugout, 1918
Watercolor and graphite on white wove paper, 15 5/16 x 20 7/8 in //
Metropolitan Museum of Art, New York
Robert Louis Stevenson and His Wife, 1885
Oil on canvas, 20.5 in x 24.4 in //
Crystal Bridges Museum of American Art, Bentonville, Arkansas
John D. Rockefeller, 1917
Oil canvas, 57.9 in x 45 in //
Private collection
Group with Parasols (Siesta), 1904.
Oil on canvas; 22 3/8 x 28 9/16 in //
Private Collection
White Walls in Sunlight, Morocco, 1879–80
Oil on wood, 10 1/4 x 13 3/4 in. //
Metropolitan Museum of Art, New York
Two Male Figures, Possible Study for "Hell", ca. 1910
Charcoal on white laid paper, 18 15/16 x 24 11/16 in //
Metropolitan Museum of Art, New York
Small Boats, 1913
Watercolor and graphite on white wove paper, 10 x 13 15/16 in //
Metropolitan Museum of Art, New York