Daniel Lieberman's Imaginary Museum

"History, Stephen said, is a nightmare from which I am trying to awake."

Posts in Category: 18th Century

Giuseppe Maria Crespi

On May 24, 2025 - 17th Century, 18th Century, Italian, march 14

Giuseppe Maria Crespi, Italian painter, March 14, 1665 — July 16, 1747

Giuseppe Maria Crespi, Self-portrait, c 1700

The Wedding at Cana, 1681–1691 Oil on canvas, 74 × 97 3/4 in // Art Institute of Chicago

Woman Tuning a Lute, between 1700 and 1705 Oil on canvas, 47.7 x 60.2 in // Museum of Fine Arts Boston

Count Fulvio Grati, between 1700 and 1720 Oil on canvas, 89.7 x 60.2 in // Thyssen-Bornemisza Museum, Madrid

Cupid and Psyche, from 1707 until 1709 Oil on canvas, 51.1 x 84.6 in // Uffizi Gallery, Florence

Giovanni Battista Piazzetta

On May 22, 2025 - 18th Century, february 13, Italian

Giovanni Battista Piazzetta, Italian painter, February 13, 1682 or 1683 – April 28, 1754

Self-Portrait, 1730s

Madonna and Child with an Adoring Figure, 1715 Oil on canvas, 74 × 57 1/2 in // Detroit Institute of Arts

Pastoral Scene, 1735–1745 Oil on canvas, 75 1/2 × 56 1/4 in // Art Institute of Chicago

Giovanni Domenico Tiepolo

On May 22, 2025 - 18th Century, 19th Century, august 30, Italian

Giovanni Domenico Tiepolo, Italian painter, August 30, 1727 – March 3, 1804

The Women of Darius Invoking the Clemency of Alexander, 1750 Oil on canvas, 46 9/16 × 38 3/4 in // Detroit Institute of Arts

The Swing of the Polichinelles, 1793 Fresco Ca' Rezzonico, Venice

Polichinelles at Rest, 1797 Fresco Ca' Rezzonico, Venice

Polichinelles in Love, 1797 Fresco Ca' Rezzonico, Venice

The Acrobatic Shed, 1797 Fresco Ca' Rezzonico, Venice

Giovanni Battista Tiepolo

On May 22, 2025 - 18th Century, Italian, march 5

Giovanni Battista Tiepolo, Italian painter, March 5, 1696-March 27, 1770

Giovanni Battista Tiepolo, Self-Portrait, 1750-53 Würzburg Residenz

Saint Joseph and the Christ Child, between 1767 and 1769 Oil on canvas, 60.6 in x 43.8 in // Detroit Institute of Arts

Virgin and Child with Saints Dominic and Hyacinth, 1730–1735 Oil on canvas, 108 × 54 in // Art Institute of Chicago

Giovanni Battista Tiepolo, Two Men seated under a Tree, Part of the series Four Decorative Scenes, about 1740-6 Oil on canvas, 62.5 x 20.9 in National Gallery, London

Two Men seated under a Tree, Part of the series Four Decorative Scenes, about 1740-6 Oil on canvas, 62.5 x 20.9 in // National Gallery, London

Giovanni Battista Tiepolo, Seated Man, Woman with Jar, and Boy, Part of the series Four Decorative Scenes, about 1740-6 Oil on canvas, 62.5 x 20.9 in National Gallery, London

Seated Man, Woman with Jar, and Boy, Part of the series Four Decorative Scenes, about 1740-6 Oil on canvas, 62.5 x 20.9 in // National Gallery, London

Thomas Gainsborough

On May 14, 2025 - 18th Century, English, may 14

Thomas Gainsborough, English painter, 14 May 1727 (baptised) – 2 August 1788

Self-portrait, circa 1758-1759 Oil on canvas, 30 in x 25 in // National Portrait Gallery, London

Portrait of Margaret Gainsborough, 1778 Oil on canvas, 30.2 × 25.1 in // Courtauld Institute of Art, London

Road from Market, between 1767 and 1768 Oil on canvas, 47.75 in x 67 in // Toledo Museum of Art

Thomas Gainsborough, Cattle Watering by a Stream Watercolor and gouache with black chalk over graphite on medium, slightly textured, cream laid paper, 11.61 in x 14.25 in Yale Center for British Art, New Haven, Connecticut

Cattle Watering by a Stream Watercolor and gouache with black chalk over graphite on medium, slightly textured, cream laid paper, 11.61 in x 14.25 in Yale Center for British Art, New Haven, Connecticut

Madame Lebrun, 1780 Oil on canvas, 5 in x 4.03 in // Art Gallery of South Australia, Adelaide

Mary Little, Later Lady Carr, circa 1763 Oil on canvas, 50 in x 40 in // Yale Center for British Art, New Haven,Connecticut

Thomas Gainsborough, Portrait of Margaret Burr, Mrs Thomas Gainsborough, early 1770s Pastel over pencil heightened with white, varnished, laid paper, 9.40 in x 7.48 in Private collection

Portrait of Margaret Burr, Mrs Thomas Gainsborough, early 1770s Pastel over pencil heightened with white, varnished, laid paper, 9.40 in x 7.48 in // Private collection

The Market Cart, 1786-1787 Oil on canvas, 72.4 in x 60.2 in // Tate Britain, London

Thomas Gainsborough, Landscape with Stream and Weir, between 1750 and 1753 Oil on canvas, 31.49 in x 37.24 in Yale Center for British Art, New Haven, Connecticut

Landscape with Stream and Weir, between 1750 and 1753 Oil on canvas, 31.49 in x 37.24 in // Yale Center for British Art, New Haven, Connecticut

Thomas Gainsborough, #ImaginaryMuseum **Artist’s Birthday** Thomas Gainsborough, English painter, May 14, 1727 (baptised) – August 2, 1788 Landscape in Suffolk, between circa 1746 and circa 1750 Oil on canvas, 25.98 in x 37.40 in Kunsthistorisches Museum, Vienna

Landscape in Suffolk, between circa 1746 and circa 1750 Oil on canvas, 25.98 in x 37.40 in Kunsthistorisches Museum, Vienna

The lawyer Joshua Grigby III, circa 1760/1765 Oil on canvas, 50.1 in x 40.2 in // Gemäldegalerie, Berlin

Ignatius Sancho, 1768 Oil on canvas, 29 in x 24.4 in // National Gallery of Canada, Ottawa

David Garrick, 1770 Oil on canvas, 29.7 in x 24.8 in // National Portrait Gallery, London

Jean-Honoré Fragonard

On May 6, 2025 - 18th Century, 19th Century, april 5, French

Jean-Honoré Fragonard, French painter, April 5, 1732-August 22, 1806

Self-portrait with Smiling Face, circa 1800 Gray wash and black chalk, 4.96 in x 3.97 in // Louvre Museum, Paris

Diana and Endymion, c. 1753/1756 Oil on canvas, 37 3/8 x 53 7/8 in // National Gallery of Art, Washington, DC

La Gimblette (Girl Playing with her Dog), c. 1770 Oil on canvas, 35 in × 28 in // Alte Pinakothek, Munich

The Falls of Tivoli, 18th century. Oil on canvas, 28.5 x 23.8 in // Louvre Museum, Paris

Caspar David Friedrich

On May 5, 2025 - 18th Century, 19th Century, German, September 5

Caspar David Friedrich, German painter, Sep 5, 1774 – May 7, 1840

Owl on a Grave, circa 1836/37 Sepia over pencil, 10.1 in x 8.7 in // Pushkin Museum of Fine Arts, Moscow

Caspar David Friedrich, Ruined Monastery of Eldena near Greifswald, 1824/25 Oil on canvas, 19.3 x 13.8 in Alte Nationalgalerie, Staatliche Museen zu Berlin, Germany

Ruined Monastery of Eldena near Greifswald, 1824/25 Oil on canvas, 19.3 x 13.8 in // Alte Nationalgalerie, Staatliche Museen zu Berlin, Germany

Landscape with Grave, Coffin and Owl, 1836-37 Sepia over pencil, 15 x 15 in // Kunsthalle, Hamburg

Caspar David Friedrich, Coffin at the edge of a grave, second half of 1830s Sepia and brush over graphite pencil on paper, 15.47 in x 15.51 in Pushkin Museum of Fine Arts, Moscow

Coffin at the edge of a grave, second half of 1830s Sepia and brush over graphite pencil on paper, 15.47 in x 15.51 in // Pushkin Museum of Fine Arts, Moscow

Caspar David Friedrich, Lady on the Staircase / Caroline on the stairs, circa 1825 Oil on canvas, 28.9 in x 20.4 in Pomeranian State Museum, Greifswald, Germany

Lady on the Staircase / Caroline on the stairs, circa 1825 Oil on canvas, 28.9 in x 20.4 in // Pomeranian State Museum, Greifswald, Germany

Joseph Mallord William Turner

On April 17, 2025 - 18th Century, 19th Century, april 23, English

Joseph Mallord William Turner, English painter, April 23, 1775–December 19, 1851

Daguerrotype of JMW Turner, 1847

Death on a Pale Horse (?) c.1825–30 Oil paint on canvas, 23.5 x 29.8 in // Tate Gallery, London

San Giorgio Maggiore in the Morning, 1819 Watercolor on paper, 11 x 8.7 in // British Museum, London

Fishermen at Sea, 1796 Oil on canvas, 36 in x 48.1 in // Tate Britain, London

Peace – Burial at Sea,1842 Oil on canvas, 34 in × 34.1 in // Tate Britain, London

The Slave Ship, 1840 Oil on canvas, 35.7 in x 48.2 in // Museum of Fine Arts, Boston

Kenilworth Castle Date: c.1830 Watercolour, bodycolour and graphite on paper Fine Arts Museums of San Francisco

Saltash with the Water Ferry, Cornwall, 1811 Oil on canvas, 35.3 in x 47.5 in // Metropolitan Museum of Art, New York

Calais Pier, 1803 Oil on canvas, 67.7 in x 94.4 in // National Gallery, London

Fisherman's Cottage, Dover, circa 1790 Watercolor, 5.23 in x 7.87 in // Yale Center for British Art, New Haven, Connecticut

Norham Castle, Sunrise c.1845 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/N01981

Joseph Mallord William Turner, Petworth House: The North Gallery at Night, with Figures Contemplating Flaxman’s Statue, ‘St Michael Overcoming Satan, 1827 Ink, watercolour and bodycolour on paper, 5.6 x 7.6 in Tate Britain, London

Petworth House: The North Gallery at Night, with Figures Contemplating Flaxman’s Statue, ‘St Michael Overcoming Satan, 1827 Ink, watercolour and bodycolour on paper, 5.6 x 7.6 in // Tate Britain, London

The Opening of the Wallhalla, 1842 Oil paint on mahogany, 44.4 x 79 in Tate Britain, London

Joseph Mallord William Turner, South view of Salisbury Cathedral from the Cloisters, 1802 Watercolour, 35.3 x 13.4 in (framed) Victoria & Albert Museum, London

South view of Salisbury Cathedral from the Cloisters, 1802 Watercolour, 35.3 x 13.4 in (framed) Victoria & Albert Museum, London

Joseph Mallord William Turner, Salisbury Cathedral Interior, looking towards the North Transept c.1801–5 Watercolor, 26 x 20 in Salisbury Museum, UK

Salisbury Cathedral Interior, looking towards the North Transept c.1801–5 Watercolor, 26 x 20 in Salisbury Museum, UK

Luca Giordano

On April 2, 2025 - 17th Century, 18th Century, Italian, october 18

Luca Giordano, Italian painter, October 18, 1634 – January 3, 1705

Self-portrait, circa 1692 Oil on canvas 24.8 in x 19.2 in // Pio Monte della Misericordia, Naples

Triumph of the Medici in the Clouds of Mount Olympus, 1684–1686 Fresco Palazzo Medici-Riccardi, Florence

A mathematician, 17th century Oil on canvas, 50.3 in x 40.1 in // National Museum of Fine Arts, Buenos Aires

Luca Giordano, Saint Theresa and Saint John of the Cross, 17th century Black chalk and brown wash on cream antique laid paper, laid down, 8 3/4 × 6 1/8 in Fogg Art Museum, Harvard University, Cambridge, Massachusetts

Saint Theresa and Saint John of the Cross, 17th century Black chalk and brown wash on cream antique laid paper, laid down, 8 3/4 × 6 1/8 in /// Fogg Art Museum, Harvard University, Cambridge, Massachusetts

Martyrdom of Saint Bartolomeo, circa 1660 Oil on canvas // Fine Arts Museums of San Francisco

Allegory of Magnanimity, circa 1670 Oil on canvas, 70.9 in x 70.9 in // Getty Center, Los Angeles

The Fall of the Rebel Angels, 1665 Oil on canvas, 165 in × 111 in // Kunsthistorisches Museum, Vienna

Ecstasy of Saint Mary Magdalene, between 1660 and 1665 Oil on canvas // Hispanic Society of America, New York

The Resurrection, after 1665 Oil on canvas, 44.8 in x 45.6 in // Residenzgalerie Salzburg, Austria

The Death of Archimedes Oil on canvas, 69 x 87 in // National Trust Collections, UK

Four Women Making Music, 1658-1660 Oil on canvas, 22.5 in x 40 in // Mauritshuis, The Hague

Democritus and Heraclitus, 17th century Oil on canvas, 28 x 22 in // Private Collection

Psyche's Parents Offering Sacrifice to Apollo, between circa 1695 and circa 1697 Oil on canvas, 22.1 in x 27.2 in // Royal Collection, UK

Entombment of Christ, ca. between 1659 and 1660 Oil on canvas, 83 1/2 × 62 3/4 in // Detroit Institute of Art

St. Michael, circa 1663 Oil on canvas, 77.9 x 57.8 in // Gemäldegalerie, Berlin

The Apotheosis of the Medici, 1684-1686 Fresco Palazzo Medici-Riccardi, Florence

Neptune Triumphant Red chalk and red chalk wash on paper, 7 3/4 x 15 3/8 in // Morgan Library, New York

A Glory of Angels, ca. 1650–69 Pen and brown ink, brown wash, over black chalk sketch, 15 1/4 x 19 5/16 in // Metropolitan Museum of Art, New York

Saint Anne Received by the Virgin and Christ Etching National Gallery of Art, Washington DC

Neptune and Amphitrite Fresco Palazzo Medici-Riccardi, Florence

Sir Thomas Lawrence

On March 18, 2025 - 18th Century, 19th Century, English, pantheon

Sir Thomas Lawrence, English painter, 13 April 1769 – 7 January 1830

Self-portrait of Sir Thomas Lawrence P.R.A

Portrait of James Boswell Ink on paper, 5 x 4 in Tate Gallery, London

Portrait of James Watt, circa 1812 Oil on canvas, 56 in x 44 in // Birmingham Museum and Art Gallery, UK

Sir Thomas Lawrence, Portrait of Lady Selina Caroline Meade, later Countess Clam-Martinic, April 1819 Oil on canvas, 29.9 in x 24.4 in Private collection

Portrait of Lady Selina Caroline Meade, later Countess Clam-Martinic, April 1819 Oil on canvas, 29.9 in x 24.4 in // Private collection

Portrait of Rebecca Cornwall, Lady Simeon, early 1790s Oil on canvas, 30.2 in x 25.1 in // Unidentified location

Sarah Trimmer, circa 1790 Oil on canvas, 30 in x 25 in // National Portrait Gallery, London

Lydia Elizabeth Hoare, Lady Acland with her Two Sons, 1814 Oil on canvas, 60 in x 45.9 in // National Trust, UK

Philadelphia Hannah, 1st Viscountess Cremorne, exhibited 1789 Oil paint on canvas, 95 × 58.2 in // Tate Gallery, London

Mirza Abu'l Hassan Khan, 1810 Oil on canvas, 35 x 27 1/4 in // Harvard Art Museums/Fogg Museum, Cambridge, Massachusetts

King William IV as the Duke of Clarence, between 1790 and 1795 Oil on canvas, 49.4 in x 39.4 in // National Trust, UK

Princess Lieven, circa 1820 Oil on canvas, 18.3 in x 15.3 in // Tate Britain, London

Richard Payne Knight, 1794 Oil on canvas, 50 in x 39.9 in // Whitworth Art Gallery, Manchester, UK

Sir Thomas Lawrence, Henrietta Maria Noel-Hill, Marchioness of Ailesbury, between circa 1809 and circa 1830 Oil on canvas, 93.5 x 55.9 in National Trust, Attingham Park, Shropshire, UK

Henrietta Maria Noel-Hill, Marchioness of Ailesbury, between circa 1809 and circa 1830 Oil on canvas, 93.5 x 55.9 in // National Trust, Attingham Park, Shropshire, UK

april 13

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