Saint John the Baptist, circa 1730
Oil on canvas, 32.6 x 27.5 in //
Museo del Prado, Madrid
Hagar and Ishmael in the Desert Comforted by the Angel, circa 1690
Oil on canvas
Palazzo Zevallos Stigliano, Naples
Bacchus and Ariadne
Oil on copper, 14 x 19 in //
Private collection
Madonna and Child, circa 1720
Oil on canvas, 25.4 x 18.9 in //
Art Gallery of South Australia, Adelaide
Venus at the Forge of Vulcan, 1704
Oil on canvas, 80.8 x 60.5 in //
Getty Center, Los Angeles
Portrait of a Woman, after 1705
Oil on canvas, 50.7 x 39.3 in //
Musée des Augustins, Toulouse, France
Diana and Endymion, between 1705-1710
Oil on canvas, 70.47 x 91.65 in //
Walker Art Gallery, Liverpool
Emperor Charles VI and Gundacker, Count Althann, 1728
Oil on canvas, 10.13 x 111.81 in //
Kunsthistorisches Museum, Vienna
The Royal Hunt of Dido and Aeneas, circa 1712
Oil on canvas, 11.92 x 12.63 in //
Museum of Fine Arts, Houston
Allegorical Figure of Study, between 1657 and 1747
Pen and brown ink, brush and gray wash, over black chalk, 5 11/16 × 7 3/4 in //
Metropolitan Museum of Art, New York
Study for the Fall of Simon Magus, 1690
Pen and brown ink, gray, green, and rose washes over graphite
Metropolitan Museum of Art, New York
The Continence of Scipio, between 1657 and 1747
Pen and brown ink, brush and gray wash, over black chalk, 16-9/16 x 22-5/16 in //
Metropolitan Museum of Art, New York
William Blake, English artist, November 28, 1757-August 12, 1827
The Ancient of Days, 1794
Colour relief etching and white-line etching in blue, black, red and yellow; with added hand colouring
The Inscription over the Gate, 1824–7
Graphite, ink and watercolour on paper, 20.7 x 14.7 in //
Tate Gallery, London
The Angel Michael Binding Satan, c 1805
Watercolor, black ink, and graphite on off-white wove paper, 14 1/8 x 12 13/16 in //
Harvard Art Museums/Fogg Museum
The Body of Abel Found by Adam and Eve, circa 1826
Tempera, gold and mahogany wood, 17 x 12.7 in //
Tate Gallery, London
Watercolor Illustration to Milton's Paradise Lost, 1807
Antaeus Setting Down Dante and Virgil in the Last Circle of Hell, between 1824 and 1827
Pen, ink and watercolor, 20.70 x 14.72 in //
National Gallery of Victoria, Australia
When the Morning Stars Sang Together, 1804/1807
Pen and black ink, watercolor, over traces of graphite, 7 x 11 in //
The Morgan Library & Museum, New York
The Great Red Dragon and the Beast from the Sea, 1805
Pen and watercolor, 15.7 × 14 in //
National Gallery of Art, Washington DC
The Youthful Poet's Dream, Illustration to Milton's L'Allegro and Il Penseroso, between 1816 and 1820
Watercolor
The Morgan Library, New York
The Red Dragon and the Woman Clothed in Sun, circa 1803
Watercolor, ink and graphite on paper, 17.2 x 13.7 in //
Brooklyn Museum
Mirth, Illustration to Milton's L'Allegro and Il Penseroso, between 1816 and 1820
Watercolor
The Morgan Library, New York
Let the Day Perish Wherein I Was Born (The Book of Job), 1821
Watercolor, black ink and graphite on cream laid paper, 8 7/8 x 10 5/8 in //
Fogg Art Museum, Cambridge, Massachusetts
Dante and Virgil Approaching the Angel Who Guards the Entrance of Purgatory, 1824–7
Graphite, ink and watercolour on paper, 20.7 x 14.7 in //
Tate Gallery, London
The Stygian Lake, with the Ireful Sinners Fighting, 1824 - 1827
Pen, ink and watercolour over pencil
National Gallery of Victoria, Australia
Job's Comforters, 1805
Pen and black ink, gray wash, and watercolour, over traces of graphite
The Morgan Library, New York
David Delivered out of Many Waters, c.1805
Ink and watercolour on paper, 16.3 x 13.7 in //
Tate Gallery
Cerberus, Part of Illustrations to Dante’s ‘Divine Comedy’
Graphite, ink and watercolour on paper, 14.6 x 20.8 in //
Tate Gallery, London
Songs of Innocence and of Experience, The Tyger, 1795
Relief and white-line etching with hand coloring, 7.7 x 5.4 in //
The Huntington Library, Art Museum, and Botanical Gardens, Pasadena
Jacob's Ladder, 1805
Pen and ink and water color, 14.5 x 11.4 in //
British Museum, London
Newton, circa 1804-05
Monotype print, 18.1 x 23.6 in //
Tate Britain, London
The Last Trumpet, 1780–85
Pen and ink, 8 1/16 x 8 3/8 in //
Metropolitan Museum of Art, New York
The Lovers' Whirlwind, Francesca da Rimini and Paolo Malatesta, between 1824 and 1827
Pen, ink and watercolor
Birmingham Museum and Art Gallery, UK
‘A Rolling Stone is ever Bare of Moss,' Illustrations to Robert John Thornton, ‘The Pastorals of Virgil’
Wood engraving on paper, 1.3 x 3 in //
Tate Gallery, London
The Canterbury Pilgrims, c 1810-1820
Etching and engraving, 13.9 x 37 in
British Museum, London
Jerusalem, Plate 51, between 1804 and 1820
Relief etching printed in black with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, 8.85 x 6.37 in //
Yale Center for British Art, New Haven, Connecticut
Jerusalem, Plate 1, Frontispiece, 1804 to 1820
Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper, 8.77 x 6.37 in //
Yale Center for British Art, New Haven, Connecticut
The Poems of Thomas Gray, Design 67, "The Fatal Sisters," between 1797 and 1798
Watercolor, pen, black ink and graphite on cream-colored paper, 16.49 x 12.75 in //
Yale Center for British Art, New Haven, Connecticut
Self-Portrait, between circa 1780 and circa 1784 
Oil on canvas, 22.2 in x 22.2 in //
National Portrait Gallery, Washington
Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Three Figures Raising the Colors
Black and red chalk and white-chalk heightening on blue laid paper, 12 7/16 x 9 in //
Metropolitan Museum of Art, New York
Mrs Humphrey Devereux, 1771
Oil on canvas, 40.15 x 31.88 in //
Museum of New Zealand Te Papa Tongarewa, Wellington
Epes Sargent, circa 1760
Oil on canvas, 49 13/16 x 40 1/16 in //
National Gallery of Art, Washington DC
Head of a Black Man, 1777 or 1778
Oil on canvas, 20.9 x 16.2 in //
Detroit Institute of Arts
Portrait of Nathaniel Hurd, circa 1765-1766
Oil on canvas, 30 x 25.5 in //
Cleveland Museum of Art
Mrs. George Watson, 1765
Oil on canvas, 49.87 x 40 in //
Smithsonian American Art Museum
Mrs. John Amory, circa 1763
Oil on canvas, 49.8 x 40 in //
Museum of Fine Arts Boston
Portrait of Mrs. Thomas Gage, circa 1771
Oil on canvas, 50 x 40 in //
Timken Museum of Art, San Diego