Giulio Romano

On August 29, 2025 - 16th Century, Italian

Giulio Romano, Italian artist and architect, about 1492/9–1546

Titian, Portrait of Giulio Romano, between c 1536-1538 Oil on canvas, 39.7 x 33.4 in // Palazzo del Tè, Mantua

Mars Chasing Adonis from Venus's Pavilion, 1526-28 Fresco Sala di Psiche, Palazzo del Tè, Mantua

Venus and Mars Bathing. 1526-28 Fresco Sala di Psiche, Palazzo del Tè, Mantua

Cupid and Psyche, 1526-28 Fresco Sala di Psiche, Palazzo del Tè, Mantua

Old Woman and Vulcan, Tribute to Apollo, 1526-28 Fresco Sala di Psiche, Palazzo del Tè, Mantua

Tribute to Apollo, 1526-28 Fresco Sala di Psiche, Palazzo del Tè, Mantua

Giulio Romano, Allegory of the Virtues of Federico II Gonzaga, 1531-34 Pen and brown ink, black chalk and white highlights, 9.8 x 12.5 in J. Paul Getty Museum, Los Angeles

Allegory of the Virtues of Federico II Gonzaga, 1531-34 Pen and brown ink, black chalk and white highlights, 9.8 x 12.5 in // J. Paul Getty Museum, Los Angeles

Nude Child with Open Arms Red chalk on white paper, 10.6 x 8.2 in // Galleria degli Uffizi, Florence

Virgin and Child, 1520-22 Tempera on wood, 41.3 x 30.3 in // Galleria degli Uffizi, Florence

The Circumcision, 1500-25 Oil on wood transferred to canvas, 45.3 x 48 in // Musée du Louvre, Paris

Coronation of the Virgin (Madonna of Monteluce), 1505-25 Oil on wood, 139.4 x 91.3 in // Pinacoteca, Vatican

The Lovers, c. 1525 Oil on panel, transferred to canvas, 64.2 x 132.7 in // The Hermitage, St. Petersburg

Margherita Paleologo, 1531 Oil on panel, 45.4 x 35.4 in // Royal Collection, UK

Detail from the Fall of the Giants, 1532-35 Fresco Sala dei Giganti, Palazzo del Tè, Mantua

Walls of the Sala del Giganti, 1532-35 Fresco Palazzo del Tè, Mantua

Jean Fouquet

On August 21, 2025 - 15th Century, French

Jean Fouquet, French artist, 1420-1481

Jean Fouquet, Self-Portrait, 1450 Enamel-painted copper, 2.3 in // Louvre Museum, Paris

Charles V's entry into Paris, Grandes Chroniques de France, c 1455-1460 Illumination on parchment, 18.1 x 13.7 in

Coronation of Charles VI the Beloved, Great Chronicles of France, c 1455-1460 Illumination on parchment, 18.1 x 13.7 in

Homage of Edward I to Philip the Fair, Great Chronicles of France, c 1455-1460 Illumination on parchment, 18.1 x 13.7 in

Portrait of Guillaume Jouvenel, circa 1460 Black and coloured chalk on paper, 10.4 x 7.6 in // Engraving Cabinet, Berlin

Portrait of Guillaume Jouvenel des Ursins, circa 1460-1465 Oil on wood, 36.6 x 28.7 in // Louvre Museum, Paris

Portrait of an Ecclesiastic, circa 1461 Metropolitan Museum of Art, New York

Portrait of the Court Jester Gonella, 1447 Oil on panel, 14.1 x 9.4 in // Art History Museum, Vienna

Charles VII, King of France, 1444 Oil on oak panel, 33.7 x 27.7 in // Louvre Museum, Paris

Pietà, c 1470 Oil on walnut wood, 57.4 x 93.3 in // Church of Saint-Martin de Nouais-les-Fontaines, France

Etienne Chevalier with St. Stephen, Part of Melun Diptych, from 1452 until 1458 Oil on oak panel, 37.7 x 33.4 in // Gemäldegalerie Berlin

Jean Fouquet, Mary and Child Surrounded by Seraphim and Cherubim, Part of Melun Diptych, from 1452 until 1458 Oil on panel, 37.2 x 33.6 in Royal Museum of Fine Arts Antwerp

Mary and Child Surrounded by Seraphim and Cherubim, Part of Melun Diptych, from 1452 until 1458 Oil on panel, 37.2 x 33.6 in // Royal Museum of Fine Arts Antwerp

Frédéric Bazille

On August 18, 2025 - 19th Century, december 6, French

Frédéric Bazille, French Painter, December 6, 1841 – November 28, 1870

Self-portrait, 1865 Oil on canvas, 43 x 27 in // Art Institute of Chicago

The Fortune Teller, 1869 Oil on canvas, 24 x 18 in // Private collection

Porte de la Reine at Aigues-Mortes, 1867 Oil on canvas, 31 3/4 x 39 1/4 in // The Metropolitan Museum of Art, New York

The Western Ramparts at Aigues-Mortes, 1867 Oil on canvas, 23 5/8 x 39 3/8 in // National Gallery of Art, Washington, DC

Bazille's Studio, 1870 Oil on canvas, 39 x 50 in // Musée d'Orsay, Paris

Reclining Nude, 1864 Oil on canvas, 27.7 x 75 in // Musée Fabre, Montpellier, France

The Pink Dress, 1864 Oil on canvas, 57.87 x 43.30 in // Musée d'Orsay, Paris

Studio in the Rue de Furstemberg, 1865 Edit this at Wikidata Oil on canvas, 31.4 x 25.5 in // Musée Fabre, Montpellier, France

Portrait of Pierre-Auguste Renoir, 1867 Oil on canvas, 24.1 x 19.7 in // Musée d'Orsay, Paris

Family Reunion, 1867 Oil on canvas, 59.8 x 90.5 in // Musée d'Orsay, Paris

Landscape by the Lez River, 1870 Oil on canvas, 54.4 x 79.4 in // Minneapolis Institute of Art

Young Woman with Peonies, 1870 Oil on canvas, 23 5/8 x 29 1/2 in // National Gallery of Art, Washington DC

The Toilette, 1870 Oil on canvas, 60.2 × 58.4 in // Musée Fabre, Montpellier, France

Portrait of Edmond Maître, 1869 Oil Unidentified location

Portrait of Paul Verlaine, 1868 Oil on canvas, 18 x 15 in // Dallas Museum of Art

Flowers, 1868 Oil on canvas, 51.2 x 37.4 in // Museum of Grenoble, France

Vasily Kandinsky

On August 17, 2025 - 19th Century, 20th Century, december 4, Russian

Vasily Vasilyevich Kandinsky, Russian painter, December 4, 1866-December 13, 1944

Adolf Elnain, Vassily Kandinsky, 1925

Small Dream In Red, 1925 Oil on cardboard, 14 × 16.2 in // Bern Kunstmuseum

Untitled, 1941 Gouache, 18.9 × 12.3 in // The Solomon R. Guggenheim Museum, New York

In Grey, 1919 Oil on canvas, 50.8 × 69.3 in // Musee National Art Moderne, Centre Georges Pompidou, Paris

Composition VIII, 1923 Oil on canvas, 55.1 × 79.1 in // The Solomon R. Guggenheim Museum, New York

Study for "Circles on Black," 1921 Watercolor on paper, 10 x 10 in

Succession, 1935 Oil on canvas, 31 7/8 x 39 3/8 in // Phillips Collection, Washington DC

Small worlds II, 1922 Four-color lithograph, 14 x 11 inches // Herbert F. Johnson Museum of Art, Cornell University

Blue segment, 1921 Oil on canvas Solomon R. Guggenheim Museum, New York

Painting with White Border, 1913 Oil on canvas Solomon R. Guggenheim Museum

Composition VII, 1913 Oil on canvas, 78.7 × 118.1 in // The State Tretyakov Gallery, Moscow

Moonlight Night, 1907 Colour lithograph, 8.4 × 7.5 in // The State Tretyakov Gallery, Moscow

Gilbert Stuart

On August 12, 2025 - 18th Century, 19th Century, American, december 3

Gilbert Stuart, American painter, December 3, 1755 – July 9, 1828

Self-portrait, circa 1778 Oil on canvas, 16.7 x 12.7 in // Redwood Library and Athenaeum, Newport, Rhode Island

Horatio Gates, ca. 1793–94 Oil on canvas, 44 1/4 x 35 7/8 in // Metropolitan Museum of Art, New York

Sir Joshua Reynolds, 1784 Oil on canvas, 36 x 30 in // National Gallery of Art, London

Colonel Isaac Barré, 1785 Oil on canvas, 35 13/16 x 27 3/4 in // Brooklyn Museum, New York

Portrait of Joseph Brant, 1785 Oil on canvas, 31.6 x 27.6 in // British Museum, London

Sarah Siddons, 1787 Oil on canvas, 29.4 x 24.4 in // National Portrait Gallery, London

Portrait of Robert Livingston, 1793-1794 Oil on canvas, 35.9 x 28.2 in // Clermont State Historic Site, Germantown, New York

Catherine Brass Yates, 1793 Oil on canvas, 30.3 x 25.1 in // National Gallery of Art, Washington DC

Portrait of John Jay, 1794 Oil on canvas, 51.5 x 40.1 in // National Gallery of Art, Washington DC

William Bayard, 1794 Oil on canvas, 35.4 x 27.1 in // Princeton University Art Museum, New Jersey

Colonel James Swan, 1795 Oil on canvas, 29 x 24 in // Museum of Fine Arts, Boston

Abigail Smith Adams, between 1810 and 1815 Oil on canvas, 28.8 x 23.5 in // National Gallery of Art, Washington DC

John Adams, circa 1800/1815 Oil on canvas, 29 x 24 in // National Gallery of Art, Washington DC

Major-General Henry Dearborn, 1812 Oil on panel, 28.1 x 22.4 in // Art Institute of Chicago

Otto Dix

On August 11, 2025 - 20th Century, december 2, German

Otto Dix, German painter, December 2, 1891-July 25, 1969

Hugo Erfurth, Otto Dix with a Brush, 1929 Oil pigment print

Sunrise, 1913 Oil on canvas, 20 x 26 in

Three Prostitutes On The Street, 1925 Oil on canvas Private collection

Prager Street, 1920 Oil and collage on canvas Staatsgalerie Stuttgart, Germany

Stormtroopers Advance Under a Gas Attack, from The War, 1924 Drypoint and aquatint etching

The Skull, from The War, 1924

Lens Being Bombed, from The War, 1924

Martha Dix, 1928 Oil on canvas

Mother with Child, 1921 Oil on canvas, 31.9 x 47.2 in // Galerie Neue Meister, Dresden, Germany

The Artist's Parents, 1921 Oil on canvas, 44.5 × 39 in // Kunstmuseum Basel, Switzerland

Portrait of the Journalist Sylvia Von Harden, 1926 Oil and tempera on wood, 35 x 47.6 in // Georges Pompidou Center, Paris

Andrea Palladio

On August 10, 2025 - 16th Century, Italian, november 30

Andrea Palladio, Italian architect, November 30, 1508-August 19, 1580

Portrait of Andrea Palladio

Chiesa del Redentore/Church of the Redeemer, c 1592 Venice

Villa La Rotonda, 1591 Vicenza, Italy

Villa Godi, 1542 Lugo di Vicenza, Italy

Andrea Palladio, Basilica Palladiana Facade on Piazza dei Signori, begun 1546 Vicenza, Italy

Basilica Palladiana (Vicenza) - facade on Piazza dei signori

Palazzo Chiericati, begun 1550 Vicenza

Palazzo del Capitanio in Vicenza, 1565

Villa Cornaro at Piombino Dese, begun 1553

Villa Barbaro in Maser, from 1554 until 1560 Province of Treviso, Italy

Villa Foscari, also called La Malcontenta, mid 1550s Vicenza, Italy

Villa Badoer in Fratta Polesine, 1556-1563 Province of Rovigo, Italy,

Villa Valmarana, 1560s Bolzano Vicentino, Italy

Villa Saraceno, 1540s Agugliaro, Italy

Basilica di San Giorgio Maggiore, begun 1561 Venice

Giampietrino

On August 8, 2025 - 16th Century, Italian

Giampietrino, Italian painter, active 1495–1549

Death of Cleopatra, from 1500 Edit this at Wikidata Oil and wood, 28.7 x 22.4 in // Louvre Museum, Paris

Lucrezia Romana, c. 1500-1540 Oil on wood panel Chazen Museum of Art , Madison, Wisconsin

Mary Magdalene in Prayer

Ecce Homo Oil on panel, 24.4 x 19.7 in // Private collection

Leda With Her Children, between 1520s and late 1530s Oil on panel, 50.3 x 41.5 in Hessen Kassel Heritage, Germany

Repentant Mary Magdalene Oil on panel, 19.3 x 15.4 in // The Hermitage, St. Petersburg

Madonna and Child with Saints Jerome and Michael, 1530s Oil on panel, 24 x 29.1 in // Szépmûvészeti Múzeum, Budapest

Madonna with Child, 1520s Oil on canvas, 22.8 x 19.3 in // The Hermitage, St. Petersburg

Diana the Huntress, after 1526 Oil on panel, 44.8 x 23.2 in // Metropolitan Museum of Art, New York

Christ Carrying the Cross Oil on panel, 23.2 x 29.1 in // Museo Diocesano Milano

Salome, between circa 1510 and circa 1530 Oil on poplar wood, 27 x 22.5 in // National Gallery, London

William Blake

On August 7, 2025 - 18th Century, 19th Century, English, november 28

William Blake, English artist, November 28, 1757-August 12, 1827

The Ancient of Days, 1794 Colour relief etching and white-line etching in blue, black, red and yellow; with added hand colouring

The Inscription over the Gate, 1824–7 Graphite, ink and watercolour on paper, 20.7 x 14.7 in // Tate Gallery, London

William Blake, The Angel Michael Binding Satan, c 1805 Watercolor, black ink, and graphite on off-white wove paper, 14 1/8 x 12 13/16 in Harvard Art Museums/Fogg Museum

The Angel Michael Binding Satan, c 1805 Watercolor, black ink, and graphite on off-white wove paper, 14 1/8 x 12 13/16 in // Harvard Art Museums/Fogg Museum

The Body of Abel Found by Adam and Eve, circa 1826 Tempera, gold and mahogany wood, 17 x 12.7 in // Tate Gallery, London

Watercolor Illustration to Milton's Paradise Lost, 1807

William Blake, Antaeus setting down Dante and Virgil in the Last Circle of Hell, between 1824 and 1827 Pen, ink and watercolor, 20.70 x 14.72 in National Gallery of Victoria, Australia

Antaeus Setting Down Dante and Virgil in the Last Circle of Hell, between 1824 and 1827 Pen, ink and watercolor, 20.70 x 14.72 in // National Gallery of Victoria, Australia

William Blake, When the Morning Stars Sang Together, 1804/1807 Pen and black ink, watercolor, over traces of graphite, 7 x 11 in The Morgan Library & Museum, New York

When the Morning Stars Sang Together, 1804/1807 Pen and black ink, watercolor, over traces of graphite, 7 x 11 in // The Morgan Library & Museum, New York

The Great Red Dragon and the Beast from the Sea, 1805 Pen and watercolor, 15.7 × 14 in // National Gallery of Art, Washington DC

William Blake, The Youthful Poet's Dream, Illustration to Milton's L'Allegro and Il Penseroso, between 1816 and 1820 Watercolor The Morgan Library, New York

The Youthful Poet's Dream, Illustration to Milton's L'Allegro and Il Penseroso, between 1816 and 1820 Watercolor The Morgan Library, New York

The Red Dragon and the Woman Clothed in Sun, circa 1803 Watercolor, ink and graphite on paper, 17.2 x 13.7 in // Brooklyn Museum

Mirth, Illustration to Milton's L'Allegro and Il Penseroso, between 1816 and 1820 Watercolor The Morgan Library, New York

William Blake, Let the Day Perish Wherein I Was Born (The Book of Job), 1821 Watercolor, black ink and graphite on cream laid paper, 8 7/8 x 10 5/8 in Fogg Art Museum, Cambridge, Massachusetts

Let the Day Perish Wherein I Was Born (The Book of Job), 1821 Watercolor, black ink and graphite on cream laid paper, 8 7/8 x 10 5/8 in // Fogg Art Museum, Cambridge, Massachusetts

William Blake, Dante and Virgil Approaching the Angel Who Guards the Entrance of Purgatory, 1824–7 Graphite, ink and watercolour on paper, 20.7 x 14.7 in Tate Gallery, London

Dante and Virgil Approaching the Angel Who Guards the Entrance of Purgatory, 1824–7 Graphite, ink and watercolour on paper, 20.7 x 14.7 in // Tate Gallery, London

William Blake, The Stygian Lake, with the Ireful Sinners Fighting, 1824 - 1827 Pen, ink and watercolour over pencil National Gallery of Victoria, Australia

The Stygian Lake, with the Ireful Sinners Fighting, 1824 - 1827 Pen, ink and watercolour over pencil National Gallery of Victoria, Australia

Job's Comforters, 1805 Pen and black ink, gray wash, and watercolour, over traces of graphite The Morgan Library, New York

David Delivered out of Many Waters, c.1805 Ink and watercolour on paper, 16.3 x 13.7 in // Tate Gallery

Cerberus, Part of Illustrations to Dante’s ‘Divine Comedy’ Graphite, ink and watercolour on paper, 14.6 x 20.8 in // Tate Gallery, London

William Blake, Songs of Innocence and of Experience, The Tyger, 1795 Relief and white-line etching with hand coloring, 7.7 x 5.4 in The Huntington Library, Art Museum, and Botanical Gardens, Pasadena

Songs of Innocence and of Experience, The Tyger, 1795 Relief and white-line etching with hand coloring, 7.7 x 5.4 in // The Huntington Library, Art Museum, and Botanical Gardens, Pasadena

Jacob's Ladder, 1805 Pen and ink and water color, 14.5 x 11.4 in // British Museum, London

Newton, circa 1804-05 Monotype print, 18.1 x 23.6 in // Tate Britain, London

The Last Trumpet, 1780–85 Pen and ink, 8 1/16 x 8 3/8 in // Metropolitan Museum of Art, New York

William Blake, The Lovers' Whirlwind, Francesca da Rimini and Paolo Malatesta, between 1824 and 1827 Pen, ink and watercolor Birmingham Museum and Art Gallery, UK

The Lovers' Whirlwind, Francesca da Rimini and Paolo Malatesta, between 1824 and 1827 Pen, ink and watercolor Birmingham Museum and Art Gallery, UK

William Blake, ‘A Rolling Stone is ever Bare of Moss,' Illustrations to Robert John Thornton, ‘The Pastorals of Virgil’ Wood engraving on paper, 1.3 x 3 in Tate Gallery, London

‘A Rolling Stone is ever Bare of Moss,' Illustrations to Robert John Thornton, ‘The Pastorals of Virgil’ Wood engraving on paper, 1.3 x 3 in // Tate Gallery, London

William_Blake_-_Albion_Rose_-_from_A_Large_Book_of_Designs_1793-6

Pierre Subleyras

On August 6, 2025 - 18th Century, French, november 25

Pierre Subleyras, French painter, November 25, 1699 – May 28, 1749

Self-portrait at the Easel, circa 1746 Oil on canvas, 49 x 39 in // Kunsthistorisches Museum, Vienna

Charon Ferrying the Shades, 1735-40 Oil on canvas, 53.1 x 32.7 in // Musée du Louvre, Paris

The Pack Saddle, 1732 Oil on canvas, 12.2 x 9.4 in // Private collection

The Crucifixion of St Peter Oil on canvas, 53.7 x 31.5 in // Museum of Fine Arts, Leipzig

The Marriage of St Catherine, between 1740 and 1745 Oil on canvas Uffizi, Florence

Portrait of a Woman, circa 1740 Oil on canvas Gemäldegalerie, Berlin

Portrait of Marco Foscarini, from 1725 until 1749 Oil on canvas, 34.6 x 26.7 in // Museum of 18th-century Venice

Portrait of Father Giovanni Felice Ramelli, 1738 Oil on canvas, 48.8 x 36.6 in // Galleria Sabauda, Turin

Portrait of Pope Benedict XIV, circa 1745 Oil on canvas, 49.2 x 38.5 in // Condé Museum, Château de Chantilly, France

Don Cesare Benvenuti, 1742 Oil on canvas, 54.3 x 39.8 in // Musée du Louvre, Paris

Portrait of a Man, c. 1745 Oil on canvas, 29.1 x 26.4 in // Musée du Louvre, Paris

Daniel Lieberman's Imaginary Museum

"History, Stephen said, is a nightmare from which I am trying to awake."