Grand Canal, Venice, c.1898 - c.1899 Watercolor on paper, 9 x 13.6 in
Boston Harbor, c.1900 - c.1905
Watercolor on paper, 28.26 x 39.37 cm //
Private Collection
Santa Maria Formosa, Venice, c.1911 - c.1912
Pencil, watercolor, paper, 23.16 x 15.25 in //
Museum of Fine Arts, Boston
The Flying Horses, c.1900 - c.1901
Watercolor on paper, 13.6 x 21 in
Private Collection
At the Shore (Capri), c.1898 - c.1899
Watercolor on paper, 10 x 14 in //
Private Collection
Untitled (Kneeling Man), 1891
Watercolor and pencil on paper, 6 ¾ x 3 ¾ inches //
Private Collection
Lake, New Hampshire, c.1910 - c.1913
Watercolor on paper, 8.75 x 11.75 cm //
Private Collection
Madison Square, 1901
Watercolor and graphite pencil on paper, 15 3/8 × 16 13/16 in //
Whitney Museum of American Art, New York
Courtyard Scene, Siena, c. 1898-9
Watercolor and graphite on paper
Honolulu Museum of Art
West Church Boston, between 1900 and 1901
Transparent and opaque watercolor over graphite pencil on paper, 10 15/16 x 15 3/8 in //
Museum of Fine Arts Boston
New England Harbor, between circa 1919 and circa 1923
Oil on canvas, 24 x 28 in //
Cincinnati Art Museum
Honoré Daumier, French artist, February 26, 1808 – February 10 or 11, 1879
Daumier c. 1850
Couple Singing, 1845-1850
Oil on canvas, 14.6 x 11.2 in //
Rijksmuseum Amsterdam
Camille Desmoulins in the Palais Royal, c 1850
Charcoal, watercolor and gouache on cardboard, 21.8 x 17.6 in //
The Pushkin State Museum of Fine Arts, Moscow
The Two Colleagues (Lawyers Series), 1865–1870
Opaque and transparent watercolor, black ink, and charcoal on wove paper, 10 × 7 13/16 in //
Brooklyn Museum, New York
Fugitives, 1848
Plaster Relief, 21.5 x 36.8 in //
Musée d'Orsay, Paris
Georges Seurat, French painter, December 2, 1859 – March 29, 1891
Georges Seurat, 1888
The Seine at Courbevoie, 1885; France
Oil on canvas, 31.9 x 25.6 in //
Private Collection
View of Le Crotoy from Upstream, 1889
Oil on canvas, 27.7 in x 34.1 in //
Detroit Institute of Arts
The Channel at Gravelines, Evening, 1890
Oil on canvas, 25.74 in x 32.24 in //
Museum of Modern Art, New York
Corner of the Harbour, Honfleur, 1886
Oil on canvas, 31.8 x 25.5 in //
Kruller-Müller Museum, Otterlo, Netherlands
Sunday at Port-en-Bessin, 1888
Oil on Canvas, 26 x 32 1/2 in //
Kröller-Müller Museum, Otterlo, Netherlands
Gray Weather, Grande Jatte, 1888
Oil on canvas, 27.9 × 25.9 in //
Metropolitan Museum of Art, New York
Models, 1886 Edit this at Wikidata
Oil on canvas, 78.7 x 98.3 in //
Barnes Foundation, Philadelphia
View of Fort Samson, 1885
Oil on canvas, 25.5 x 32 in //
Hermitage Museum, St Petersburg
Young Woman Powdering Herself, between 1889 and 1890
Oil on canvas, 37.5 x 31.2 in //
Courtauld Institute of Art, London
The Beach le Bas Butin at Honfleur, 1886
Oil on canvas, 26.3 x 30.7 in
Musée des Beaux-Arts, Tournai
Study of Artist Aman-Jean, 1883
Pencil drawing, 24.4 x 21.3 in //
Metropolitan Museum of Art, New York
The Echo, Study for Bathers at Asnières, between circa 1883 and circa 1884
Conté crayon on Michallet paper, 12 5/16 × 9 7/16 in //
Yale University Art Gallery, New Haven, Connecticut
The Sleeper
Louvre, Paris
Madame Seurat, the Artist's Mother, from 1882 until 1883
Black chalk, 12 x 9.1 in //
Getty Center, Los Angeles
Café-Concert, between 1887 and 1888
Conté crayon heightened with white chalk, 12 3/8 x 9 5/16 in //
Cleveland Museum of Art
L'invalide, circa 1881
The Garbage Picker, from 1887 until 1888
Conté Crayon, 12 x 9.2 in //
Museu da Chácara do Céu, Rio de Janeiro
The Zone (Outside the City Walls), 1882–1883
Black conte crayon on cream laid paper, 9 1/2 × 12 3/8 in //
Art Institute of Chicago
Eden Concert, (Date unknown)
Lithograph
Columbus Museum of Art