Death on a Pale Horse (?) c.1825–30
Oil paint on canvas, 23.5 x 29.8 in //
Tate Gallery, London
San Giorgio Maggiore in the Morning, 1819
Watercolor on paper, 11 x 8.7 in //
British Museum, London
Fishermen at Sea, 1796
Oil on canvas, 36 in x 48.1 in //
Tate Britain, London
Peace – Burial at Sea,1842
Oil on canvas, 34 in × 34.1 in //
Tate Britain, London
The Slave Ship, 1840
Oil on canvas, 35.7 in x 48.2 in //
Museum of Fine Arts, Boston
Kenilworth Castle Date: c.1830
Watercolour, bodycolour and graphite on paper
Fine Arts Museums of San Francisco
Saltash with the Water Ferry, Cornwall, 1811
Oil on canvas, 35.3 in x 47.5 in //
Metropolitan Museum of Art, New York
Calais Pier, 1803
Oil on canvas, 67.7 in x 94.4 in //
National Gallery, London
Fisherman's Cottage, Dover, circa 1790
Watercolor, 5.23 in x 7.87 in //
Yale Center for British Art, New Haven, Connecticut
Norham Castle, Sunrise c.1845 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/N01981
Edgar Degas, French Artist, July 19, 1834 – September 27, 1917
"In painting you must give the idea of the true by means of the false." — Degas
Eugène Manet, 1874
Oil on canvas, 25.6 x 33.9 //
Private Collection
Three Ukrainian Dancers, 1895
Pastel, 24.5 x 20.9 in //
Nationalmuseum, Stockholm, Sweden
At the Milliner's, 1882
Pastel on pale gray wove paper (industrial wrapping paper), laid down on silk bolting, 30 x 34 in //
Metropolitan Museum of Art, New York
Self Portrait with Evariste de Valernes, c.1865
Oil on canvas, 45.9 x 35.3 in
Musée d'Orsay, Paris
Self Portrait Saluting, 1863 92x61cm
Oil on canvas, 36.2 x 24 in //
Museu Calouste Gulbenkian, Lisbon, Portugal
At the Mirror, c. 1889
Pastel on paper, 19.3 x 25.2 in //
Kunsthalle, Hamburg
Harlequin and Columbina, 1886
Two Riders by a Lake, c.1861
Pen and ink //
Bibliothèque nationale de France (BnF), Paris
Paul Lafond and Alphonse Cherfils Examining a Painting,
c. 1878–80
Oil on wood panel, 16 3/4 x 19 11/16 in //
Cleveland Museum of Art
Dancer in Ukrainian Dress, 1899
Pastel over charcoal on tracing paper, 24.3 in x 17.9 in //
Metropolitan Museum of Art, New York
Lowering the Curtain, c.1880
Pastel
Private Collection
Houses at the Foot of a Cliff (Saint-Valéry-sur-Somme.), circa 1895-1898
Oil on canvas, 36.2 in x 28.6 in //
Columbus Museum of Art
The Road, 1878
Monotype (black ink) on china paper
National Gallery of Art, Washington, DC
Nocturne in Blue and Green, 1871
Oil on canvas, 19.7 x 23.3 in //
Tate Gallery, London
Bibi Valentin, 1859
Etching, plate: 6 x 9 in
Smithsonian American Art Museum, Washington, DC
Crepuscule in Flesh Color and Green: Valparaiso, 1866
Oil on canvas, 75.88 x 58.42 cm
Tate Gallery, London
Note in Pink and Brown, ca. 1880
Charcoal and pastel on dark brown wove paper, 11 3/4 x 7 1/4 in //
Metropolitan Museum of Art, New York
Harmony in Gray and Green: Miss Cicely Alexander, 1872 - 1873
Oil on canvas, 74 3/4 x 38 1/2 ins //
Tate Gallery, London
The Swan, Chelsea, c. 1870
Etching //
The Cleveland Museum of Art
Courtyard and Canal, 1879 - 1880
Chalk, 30.1 x 20.2 cm
Nocturne in Black and Gold: The Falling Rocket, 1875
Oil on panel, 23.7 in x 18.2 in //
Detroit Institute of Arts  
Grey and Silver: Old Battersea Reach, 1863
Oil on canvas, 20 × 27 in //
Art Institute of Chicago
Variations in Violet and Grey—Market Place, Dieppe, 1885
Gouache and watercolor on off-white wove paper, mounted on academy board, 7 15/16 x 5 in //
Metropolitan Museum of Art, New York
The Coast of Brittany (aka Alone with the Tide), 1861
Oil on canvas, 34.4 x 45.5 in //
Wadsworth Atheneum Museum of Art, Hartford
Study: Maud Seated, 1878
Lithotint with scraping and roulette in black ink on ivory wove proofing paper, 10 7/16 × 7 1/4 in //
Art Institute of Chicago
The Dancing Girl, 1868 - 1870
Pastel, 11 x 7 in
Two Doorways, Series/Portfolio: First Venice Set ("Venice: Twelve Etchings,") 1880
Etching and drypoint; fourth state of thirteen (Glasgow); printed in black ink on ivory laid paper, 7 15/16 x 11 1/2 in //
Metropolitan Museum of Art, New York
Rose and Silver–Portrait of Mrs. Whibley, 1895-1896
Watercolor on brown paper, 11 1/8 × 7 3/8 in //
The National Museum of Asian Art, Washington, DC
The Priest's Lodging, Dieppe, c.1897
Oil on panel, 6.5 x 9.6 in //
The Hunterian, University of Glasgow
Arrangement in Gray: Portrait of the Painter, ca. 1872
Oil on canvas, 29 1/2 × 21 in //
Detroit Institute of Arts