Daniel Lieberman's Imaginary Museum

"A work of art is a transformation of something in order to transform someone." — Paul Valéry

Posts in Category: 19th Century

William Daniell

On November 1, 2025 - 18th Century, 19th Century, English

William Daniell, English painter, 1769 – August 16, 1837

William Daniell, Perspective View of the Mosque at Sambhal, Uttar Pradesh, 1789 Pencil and wash drawing Royal Institute of British Architects, London

Perspective View of the Mosque at Sambhal, Uttar Pradesh, 1789 Pencil and wash drawing Royal Institute of British Architects, London

William Daniell, Madras, or Fort St. George, in the Bay of Bengal — A Squall Passing Off, 1833 Oil on canvas, 27 x 42 in Yale Center for British Art, New Haven, Connecticut

Madras, or Fort St. George, in the Bay of Bengal — A Squall Passing Off, 1833 Oil on canvas, 27 x 42 in // Yale Center for British Art, New Haven, Connecticut

Castle Broichin on the Isle of Raasay, 1819

View of the Canton Factories, 1805–10 Oil on canvas, 37 x 71.65 in // National Maritime Museum, London

The European Factories, Canton, 1806 Oil on canvas, 34 x 50 in // Yale Center for British Art, New Haven

View in China: Cultivating the Tea Plant, c 1810 Oil on canvas, 48.50 x 72.79 in // Yale Center for British Art, New Haven

Coast Scene, Madeira (?), 1810 Oil on canvas, 5.9 x 7.9 in // Fitzwilliam Museum, Cambridge, UK

William Daniell, Action Between a Fleet of East Indiamen, Commanded by Commodore Nathaniel Dance, and a French Squadron, Commanded by Rear Admiral Comte de Linois, off Pulo Aor in the Straits of Malacca, 1804 Oil on canvas, 36.5 x 78 in Christ's Hospital, Horsham, UK

Action Between a Fleet of East Indiamen, Commanded by Commodore Nathaniel Dance, and a French Squadron, Commanded by Rear Admiral Comte de Linois, off Pulo Aor in the Straits of Malacca, 1804 Oil on canvas, 36.5 x 78 in // Christ's Hospital, Horsham, UK

A Caparisoned Elephant – Scene near Delhi, 1832 Oil on canvas, 8.4 x 11.4 in // Sir John Soane's Museum, London

The Hirkarrah Camel (A Scene in the East Indies), 1832 Oil on canvas, 8.4 x 11.4 in // Sir John Soane's Museum, London

Scene in the Himalayas Oil on canvas, 31.9 x 39.4 in // Calderdale Metropolitan Borough Council, UK

Eddystone Lighthouse, During a Storm Oil on canvas, 34.6 x 52.7 in // The Box, Plymouth, UK

Giovanni Boldini

On October 30, 2025 - 19th Century, 20th Century, december 1, Italian

Giovanni Boldini, Italian Painter, December 31, 1842 – July 11, 1931

Self-Portrait at Montorsoli, 1892 Oil on canvas, 22 x 14.1 in // Uffizi Gallery, Florence

Portrait of Giuseppe Verdi, 1886 Pastel on cardboard, 25.5 x 21.2 in // Galleria Nazionale d'Arte Moderna e Contemporanea di Roma

Princesse de Caraman-Chimay, later Madame Jourdan, 1889 Private collection

Portrait of John Singer Sargent, circa 1890 Oil on panel, 10.63 × 8.66 in // Private collection

Portrait of the Count Robert de Montesquiou, 1897 Oil on canvas, 32.4 x 45.6 in // Musée d'Orsay, Paris

Portrait of Madame Marthe de Florian, 1898 Oil on canvas, 57.8 x 44 in // Private collection

Portrait of Rita de Acosta Lydig, 1911 Oil on canvas, 70.9 x 43.5 in // Private collection

Princess Cécile Murat Ney d'Elchingen, 1910 Oil on canvas, 94 x 51.1 in // Private collection

Portrait of Marchesa Luisa Casati With a Greyhound, 1908 Oil on canvas, 100 x 55 in // Private collection

A Famous Connoisseur, 1883 Crayon and pencil on graph paper, 6.2 x 4.3 in // Metropolitan Museum of Art, New York

Men Reading, 1884 Drawing, 14.4 × 10 in // Private collection

Young Woman Sitting in an Interior Drawing

Edmond Dulac

On October 15, 2025 - 19th Century, 20th Century, French, october 22

Edmond Dulac, French artist, October 22, 1882-May 25, 1953

Alvin Langdon Coburn, Edmund Dulac, 1914

Illustration From "Sinbad the Sailor & Other Stories From the Arabian Nights," 1914

Illustration From "Edmund Dulac's Picture-Book for the French Red Cross," 1914

Illustration From "Sinbad the Sailor & Other Stories From the Arabian Nights," 1914

Illustration for "Shakespeare's Comedy of the Tempest," 1915

Illustration for Hans Christian Andersen's "The Nightingale"

Illustration for Hans Christian Andersen's "The Little Mermaid"

Illustration to "A Little Girl in a Book", from Fairies I Have Met by Mrs. Rodolph Stawell

Frits Thaulow

On October 15, 2025 - 19th Century, 20th Century, Norwegian, october 20

Frits Thaulow, Norwegian painter, October 20, 1847 – November 5, 1906

Anders Beer Wilse, Frits Thaulow, c 1900 Private collection

"The King," from Akershus Fortress, 1878 Oil on wood board, 12.9 x 22 in // Lillehammer Art Museum, Norway

View of Amerikavej in Copenhagen, 1881 Oil on panel, 29.3 x 47.3 in // Statens Museum for Kunst, Copenhagen

River Harbor, 1881 Oil on oak panel Oslo Museum

Rock, Motif from Kragerö, 1882 Oil on panel, 15.7 x 25 in // Gothenburg Museum of Art, Sweden

Winter at the River Simoa, 1883 Oil on canvas, 30.9 x 19.5 in // National Museum of Art, Architecture and Design, Oslo

Winter on the Canal Pastel on canvas, 28 3/8 x 35 3/4 in // Private collection

Childe Hassam

On October 14, 2025 - 19th Century, 20th Century, American, october 17

Childe Hassam, American painter, October 17, 1859 - August 27, 1935

The Avenue in the Rain, 1917 Oil on canvas, 42 x 22.2 in // The White House, Washington DC

Childe Hassam, View in Montmartre, Paris, 1889 Watercolor and gouache over graphite on cream wove paper, 13 7/8 x 9 15/16 in Princeton University Art Museum

View in Montmartre, Paris, 1889 Watercolor and gouache over graphite on cream wove paper, 13 7/8 x 9 15/16 in // Princeton University Art Museum

Late Afternoon, New York, Winter, c 1900 Oil on canvas, 36.9 x 29 in // Brooklyn Museum, New York

Church at Old Lyme, 1905 Oil on canvas Albright-Knox Art Gallery, Buffalo

July Fourteenth, Rue Daunou, 1910 Oil on canvas, 29 1/8 x 19 7/8 in // Metropolitan Museum of Art, New York

The Water Garden, 1909 Oil on canvas, 24 x 35.9 in // Metropolitan Museum of Art, New York

Drydock, Gloucester, c 1890 Watercolor over ink and graphite, 13 3/16 in x 19 1/2 in // The Phillips Collection, Washington DC

Washington's Birthday — Fifth Avenue at 23rd Street, 1916 Etching, 10.2 x 15.7 in // Museum of Fine Arts, Houston

Norman Structure, 1885 Pen and black ink over graphite on board, 10 3/8 x 7 5/8 in // National Gallery of Art, Washington DC

Celia Thaxter's Garden, Isles of Shoals, Maine, 1890 Oil on canvas, 17.7 x 21.4 in // Metropolitan Museum of Art, New York

Childe Hassam, The Gorge, Appledore, circa 1912 Transparent watercolor with touches of opaque watercolor on cream, moderately thick, moderately textured wove paper, 13.8 x 19.8 in Brooklyn Museum

The Gorge, Appledore, circa 1912 Transparent watercolor with touches of opaque watercolor on cream, moderately thick, moderately textured wove paper, 13.8 x 19.8 in // Brooklyn Museum

Childe Hassam, Back Road, circa 1884 Oil on canvas, 31 x 24.7 in Brooklyn Museum

Back Road, circa 1884 Oil on canvas, 31 x 24.7 in // Brooklyn Museum, New York

Frédéric Bazille

On August 18, 2025 - 19th Century, december 6, French

Frédéric Bazille, French Painter, December 6, 1841 – November 28, 1870

Self-portrait, 1865 Oil on canvas, 43 x 27 in // Art Institute of Chicago

The Fortune Teller, 1869 Oil on canvas, 24 x 18 in // Private collection

Porte de la Reine at Aigues-Mortes, 1867 Oil on canvas, 31 3/4 x 39 1/4 in // The Metropolitan Museum of Art, New York

The Western Ramparts at Aigues-Mortes, 1867 Oil on canvas, 23 5/8 x 39 3/8 in // National Gallery of Art, Washington, DC

Bazille's Studio, 1870 Oil on canvas, 39 x 50 in // Musée d'Orsay, Paris

Reclining Nude, 1864 Oil on canvas, 27.7 x 75 in // Musée Fabre, Montpellier, France

The Pink Dress, 1864 Oil on canvas, 57.87 x 43.30 in // Musée d'Orsay, Paris

Studio in the Rue de Furstemberg, 1865 Edit this at Wikidata Oil on canvas, 31.4 x 25.5 in // Musée Fabre, Montpellier, France

Portrait of Pierre-Auguste Renoir, 1867 Oil on canvas, 24.1 x 19.7 in // Musée d'Orsay, Paris

Family Reunion, 1867 Oil on canvas, 59.8 x 90.5 in // Musée d'Orsay, Paris

Landscape by the Lez River, 1870 Oil on canvas, 54.4 x 79.4 in // Minneapolis Institute of Art

Young Woman with Peonies, 1870 Oil on canvas, 23 5/8 x 29 1/2 in // National Gallery of Art, Washington DC

The Toilette, 1870 Oil on canvas, 60.2 × 58.4 in // Musée Fabre, Montpellier, France

Portrait of Edmond Maître, 1869 Oil Unidentified location

Portrait of Paul Verlaine, 1868 Oil on canvas, 18 x 15 in // Dallas Museum of Art

Flowers, 1868 Oil on canvas, 51.2 x 37.4 in // Museum of Grenoble, France

Wassily Kandinsky

On August 17, 2025 - 19th Century, 20th Century, december 4, Russian

Wassily Wassilyevich Kandinsky, Russian painter, December 4, 1866-December 13, 1944

Adolf Elnain, Vassily Kandinsky, 1925

The Rider (Lyrical), 1911 Oil on canvas, 37 x 51.1 in // Museum Boijmans Van Beuningen, Rotterdam

Wassily Wassilyevich Kandinsky, Color Study, Squares with Concentric Circles, 1913 Watercolor, gouache and crayon on paper, 9.4 x 12.4 in Lenbachhaus, Munich

Color Study, Squares with Concentric Circles, 1913 Watercolor, gouache and crayon on paper, 9.4 x 12.4 in // Lenbachhaus, Munich

Yellow-Red-Blue, 1925 Oil on canvas, 50.3 x 79.3 in // National Museum of Modern Art, Paris

Small Worlds I, 1922 Lithograph, 9 3/4 x 8 9/16 in // National Gallery of Denmark, Copenhagen

On White II, 1923 Oil on canvas, 41.3 x 38.5 in // National Museum of Modern Art, Paris

Circles in a Circle, 1923 Oil on canvas, 38.8 x 37.6 in // Philadelphia Art Museum

Several Circles Oil on canvas, 55.1 x 55.1 in // Solomon R. Guggenheim Museum, New York

Inner Alliance, 1929 Oil on canvas, 29.9 x 25.9 in // Albertina, Vienna

Brown with Supplement, 1935 Oil on canvas, 31.8 x 39.3 in // Museum Boijmans Van Beuningen, Rotterdam

Composition 9, 1936 Oil on canvas, 44.6 x 76.7 in // National Museum of Modern Art, Paris

Composition X, 1939 Oil on canvas, 51.1 x 76.7 in // Kunstsammlung Nordrhein-Westfalen, Düsseldorf

Various Actions, 1941 Oil and enamel on canvas, 35 1/8 x 45 3/4 in // Solomon R. Guggenheim Museum, New York

Small Dream In Red, 1925 Oil on cardboard, 14 × 16.2 in // Bern Kunstmuseum

Untitled, 1941 Gouache, 18.9 × 12.3 in // The Solomon R. Guggenheim Museum, New York

In Grey, 1919 Oil on canvas, 50.8 × 69.3 in // Musee National Art Moderne, Centre Georges Pompidou, Paris

Composition VIII, 1923 Oil on canvas, 55.1 × 79.1 in // The Solomon R. Guggenheim Museum, New York

Study for "Circles on Black," 1921 Watercolor on paper, 10 x 10 in

Succession, 1935 Oil on canvas, 31 7/8 x 39 3/8 in // Phillips Collection, Washington DC

Small worlds II, 1922 Four-color lithograph, 14 x 11 inches // Herbert F. Johnson Museum of Art, Cornell University

Blue segment, 1921 Oil on canvas Solomon R. Guggenheim Museum, New York

Painting with White Border, 1913 Oil on canvas Solomon R. Guggenheim Museum

Composition VII, 1913 Oil on canvas, 78.7 × 118.1 in // The State Tretyakov Gallery, Moscow

Moonlight Night, 1907 Colour lithograph, 8.4 × 7.5 in // The State Tretyakov Gallery, Moscow

A Floating Figure, 1942 Oil on wood, 10.2 x 7.9 in Musée Zervos (Maison Romain Rolland), Vézelay, France

Gilbert Stuart

On August 12, 2025 - 18th Century, 19th Century, American, december 3

Gilbert Stuart, American painter, December 3, 1755 – July 9, 1828

Self-portrait, circa 1778 Oil on canvas, 16.7 x 12.7 in // Redwood Library and Athenaeum, Newport, Rhode Island

Horatio Gates, ca. 1793–94 Oil on canvas, 44 1/4 x 35 7/8 in // Metropolitan Museum of Art, New York

Sir Joshua Reynolds, 1784 Oil on canvas, 36 x 30 in // National Gallery of Art, London

Colonel Isaac Barré, 1785 Oil on canvas, 35 13/16 x 27 3/4 in // Brooklyn Museum, New York

Portrait of Joseph Brant, 1785 Oil on canvas, 31.6 x 27.6 in // British Museum, London

Sarah Siddons, 1787 Oil on canvas, 29.4 x 24.4 in // National Portrait Gallery, London

Portrait of Robert Livingston, 1793-1794 Oil on canvas, 35.9 x 28.2 in // Clermont State Historic Site, Germantown, New York

Catherine Brass Yates, 1793 Oil on canvas, 30.3 x 25.1 in // National Gallery of Art, Washington DC

Portrait of John Jay, 1794 Oil on canvas, 51.5 x 40.1 in // National Gallery of Art, Washington DC

William Bayard, 1794 Oil on canvas, 35.4 x 27.1 in // Princeton University Art Museum, New Jersey

Colonel James Swan, 1795 Oil on canvas, 29 x 24 in // Museum of Fine Arts, Boston

Abigail Smith Adams, between 1810 and 1815 Oil on canvas, 28.8 x 23.5 in // National Gallery of Art, Washington DC

John Adams, circa 1800/1815 Oil on canvas, 29 x 24 in // National Gallery of Art, Washington DC

Major-General Henry Dearborn, 1812 Oil on panel, 28.1 x 22.4 in // Art Institute of Chicago

William Blake

On August 7, 2025 - 18th Century, 19th Century, English, november 28

William Blake, English artist, November 28, 1757-August 12, 1827

The Ancient of Days, 1794 Colour relief etching and white-line etching in blue, black, red and yellow; with added hand colouring

The Inscription over the Gate, 1824–7 Graphite, ink and watercolour on paper, 20.7 x 14.7 in // Tate Gallery, London

William Blake, The Angel Michael Binding Satan, c 1805 Watercolor, black ink, and graphite on off-white wove paper, 14 1/8 x 12 13/16 in Harvard Art Museums/Fogg Museum

The Angel Michael Binding Satan, c 1805 Watercolor, black ink, and graphite on off-white wove paper, 14 1/8 x 12 13/16 in // Harvard Art Museums/Fogg Museum

The Body of Abel Found by Adam and Eve, circa 1826 Tempera, gold and mahogany wood, 17 x 12.7 in // Tate Gallery, London

Watercolor Illustration to Milton's Paradise Lost, 1807

William Blake, Antaeus setting down Dante and Virgil in the Last Circle of Hell, between 1824 and 1827 Pen, ink and watercolor, 20.70 x 14.72 in National Gallery of Victoria, Australia

Antaeus Setting Down Dante and Virgil in the Last Circle of Hell, between 1824 and 1827 Pen, ink and watercolor, 20.70 x 14.72 in // National Gallery of Victoria, Australia

William Blake, When the Morning Stars Sang Together, 1804/1807 Pen and black ink, watercolor, over traces of graphite, 7 x 11 in The Morgan Library & Museum, New York

When the Morning Stars Sang Together, 1804/1807 Pen and black ink, watercolor, over traces of graphite, 7 x 11 in // The Morgan Library & Museum, New York

The Great Red Dragon and the Beast from the Sea, 1805 Pen and watercolor, 15.7 × 14 in // National Gallery of Art, Washington DC

William Blake, The Youthful Poet's Dream, Illustration to Milton's L'Allegro and Il Penseroso, between 1816 and 1820 Watercolor The Morgan Library, New York

The Youthful Poet's Dream, Illustration to Milton's L'Allegro and Il Penseroso, between 1816 and 1820 Watercolor The Morgan Library, New York

The Red Dragon and the Woman Clothed in Sun, circa 1803 Watercolor, ink and graphite on paper, 17.2 x 13.7 in // Brooklyn Museum

Mirth, Illustration to Milton's L'Allegro and Il Penseroso, between 1816 and 1820 Watercolor The Morgan Library, New York

William Blake, Let the Day Perish Wherein I Was Born (The Book of Job), 1821 Watercolor, black ink and graphite on cream laid paper, 8 7/8 x 10 5/8 in Fogg Art Museum, Cambridge, Massachusetts

Let the Day Perish Wherein I Was Born (The Book of Job), 1821 Watercolor, black ink and graphite on cream laid paper, 8 7/8 x 10 5/8 in // Fogg Art Museum, Cambridge, Massachusetts

William Blake, Dante and Virgil Approaching the Angel Who Guards the Entrance of Purgatory, 1824–7 Graphite, ink and watercolour on paper, 20.7 x 14.7 in Tate Gallery, London

Dante and Virgil Approaching the Angel Who Guards the Entrance of Purgatory, 1824–7 Graphite, ink and watercolour on paper, 20.7 x 14.7 in // Tate Gallery, London

William Blake, The Stygian Lake, with the Ireful Sinners Fighting, 1824 - 1827 Pen, ink and watercolour over pencil National Gallery of Victoria, Australia

The Stygian Lake, with the Ireful Sinners Fighting, 1824 - 1827 Pen, ink and watercolour over pencil National Gallery of Victoria, Australia

Job's Comforters, 1805 Pen and black ink, gray wash, and watercolour, over traces of graphite The Morgan Library, New York

David Delivered out of Many Waters, c.1805 Ink and watercolour on paper, 16.3 x 13.7 in // Tate Gallery

Cerberus, Part of Illustrations to Dante’s ‘Divine Comedy’ Graphite, ink and watercolour on paper, 14.6 x 20.8 in // Tate Gallery, London

William Blake, Songs of Innocence and of Experience, The Tyger, 1795 Relief and white-line etching with hand coloring, 7.7 x 5.4 in The Huntington Library, Art Museum, and Botanical Gardens, Pasadena

Songs of Innocence and of Experience, The Tyger, 1795 Relief and white-line etching with hand coloring, 7.7 x 5.4 in // The Huntington Library, Art Museum, and Botanical Gardens, Pasadena

Jacob's Ladder, 1805 Pen and ink and water color, 14.5 x 11.4 in // British Museum, London

Newton, circa 1804-05 Monotype print, 18.1 x 23.6 in // Tate Britain, London

The Last Trumpet, 1780–85 Pen and ink, 8 1/16 x 8 3/8 in // Metropolitan Museum of Art, New York

William Blake, The Lovers' Whirlwind, Francesca da Rimini and Paolo Malatesta, between 1824 and 1827 Pen, ink and watercolor Birmingham Museum and Art Gallery, UK

The Lovers' Whirlwind, Francesca da Rimini and Paolo Malatesta, between 1824 and 1827 Pen, ink and watercolor Birmingham Museum and Art Gallery, UK

William Blake, ‘A Rolling Stone is ever Bare of Moss,' Illustrations to Robert John Thornton, ‘The Pastorals of Virgil’ Wood engraving on paper, 1.3 x 3 in Tate Gallery, London

‘A Rolling Stone is ever Bare of Moss,' Illustrations to Robert John Thornton, ‘The Pastorals of Virgil’ Wood engraving on paper, 1.3 x 3 in // Tate Gallery, London

William_Blake_-_Albion_Rose_-_from_A_Large_Book_of_Designs_1793-6

The Canterbury Pilgrims, c 1810-1820 Etching and engraving, 13.9 x 37 in British Museum, London

William Blake, Jerusalem, Plate 51, between 1804 and 1820 Relief etching printed in black with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, 8.85 x 6.37 in Yale Center for British Art, New Haven, Connecticut

Jerusalem, Plate 51, between 1804 and 1820 Relief etching printed in black with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, 8.85 x 6.37 in // Yale Center for British Art, New Haven, Connecticut

William Blake, Jerusalem, Plate 1, Frontispiece, 1804 to 1820 Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper, 8.77 x 6.37 in Yale Center for British Art, New Haven, Connecticut

Jerusalem, Plate 1, Frontispiece, 1804 to 1820 Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper, 8.77 x 6.37 in // Yale Center for British Art, New Haven, Connecticut

William Blake, The Poems of Thomas Gray, Design 67, "The Fatal Sisters," between 1797 and 1798 Watercolor, pen, black ink and graphite on cream-colored paper, 16.49 x 12.75 in Yale Center for British Art, New Haven, Connecticut

The Poems of Thomas Gray, Design 67, "The Fatal Sisters," between 1797 and 1798 Watercolor, pen, black ink and graphite on cream-colored paper, 16.49 x 12.75 in // Yale Center for British Art, New Haven, Connecticut