Perseus Rescuing Andromeda, 1594/95
Oil on panel, 20 11/16 x 14 15/16 in
Clark Institute of Art, Williamstown, Massachusetts
Diana and Actaeon, from 1602 until 1603
Oil on copper, 19.6 x 27.1 in //
Museum of Fine Arts, Budapest
Discovery of Romulus and Remus, 1596
Fresco
Palazzo dei Conservatori, Rome
Combat of the Horatii and the Curiatii, 1612 - 1613)
Fresco
Capitoline Museums, Rome
Archangel Michael and the Rebel Angels, c 1592–1593
Oil on tin plate or oil on copper, 18.8 x 16.4 in //
Kelvingrove Art Gallery and Museum, Glasgow
The Expulsion from Paradise, c 1600-1610
Oil on copper, 20.2 x 13.9 in //
Apsley House, London
Christ in Joseph's Workshop, from 1610 until 1625
Oil on canvas, 36.2 × 42.1 in //
Museu Nacional de Belas Artes, Rio de Janeiro, Brazil
Judith with the Head of Holofernes, between 1605 and 1610
Oil on canvas, 24.1 x 18.8 in //
Berkeley Art Museum and Pacific Film Archive
Noli Me Tangere
Oil on pine wood, 17.7 x 14.4 in //
Private collection
Martyrdom of Saint Margaret, between 1608 and 1611
Oil on panel, 33.5 x 24.6 in //
National Gallery of Art, Washington DC
Head of a Bearded Man Wearing a Hood in Profile Facing Left, between 1636 and 1638
Pen and brown ink, 10 7/16 x 6 5/8 //
Metropolitan Museum of Art, New York
David and Goliath, 1600s
Black charcoal and red pencil, 7.3 x 9.8 in //
Musée des Beaux-Arts, Lille, France
Franz Marc, German artist, February 8, 1880-March 4, 1916
Franz Marc, 1910
Dog Lying in the Snow, 1911
Oil on canvas, 41.3 x 25 in //
Städel Museum, Frankfurt, Germany
Young Boy with a Lamb/The Good Shepherd, 1911
Oil on canvas, 34.6 × 32.9 in //
Solomon R. Guggenheim Museum, New York
The Little Blue Horses, 1911
Oil on canvas, 24.2 x 39.7 in //
Staatsgalerie Stuttgart
Red Bull, 1912
Gouache on paper, 13.3 x 16.9 in //
Pushkin Museum, Moscow
The Foxes, 1913
Oil on canvas, 34.6 x 26 in //
Museum Kunstpalast, Düsseldorf
The Tiger, 1912
Color woodcut print on paper, 43.9 × 40 in //
Lenbachhaus, Munich
The Tower of the Blue Horses,
Oil on canvas, 78.7 x 51.1 in //
Shown in the "Degenerate Art" Exhibition in Munich, July to November 1937;
Missing since 1945
The Fate of the Animals, 1913
Color on canvas, 77.1 x 104.7 in //
Kunstmuseum Basel
Dreaming Horses, 1913
Watercolor, gouache, ink, and graphite on paper, 15.5 x 18.4 in //
Solomon R. Guggenheim Museum, New York
Animal Legend, unknown date
Woodcut
Two Cats, before 1910
Lenbachhaus, Munich
The Panther, 1908
Bronze, 3.8 x 4.7 in; thickness: 3.9 in //
Lenbachhaus, Munich
Self-portrait, circa 1645
Oil on panel, 24.5 x 20.1 in //
Alte Pinakothek, Munich
The Sentry, 1654
Oil on canvas, 26.7 x 22.8 in //
Staatliches Museum Schwerin, Germany
A View of Delft, 1652
Oil on canvas mounted on walnut wood, 6.1 x 12.4 in //
National Gallery, London
Raising of Lazarus, 1640s
Oil on canvas, 82.6 x 55.1 in //
National Museum in Warsaw
Hagar and the Angel, 1645
Oil on canvas, 62.2 x 53.5 in //
Leiden Collection, Residenzgalerie Salzburg, Austria
Mercury and Aglauros, between c 1645 and c 1647
Oil on canvas, 28.5 x 35.8 in //
Museum of Fine Arts Boston
Portrait of Abraham de Potter, 1649
Oil on canvas, 26.9 x 22.4 in //
Rijksmuseum, Amsterdam
Portrait of a Lady in Profile, 1654
Oil on canvas, 26.1 x 22.6 in //
Landesmuseum Hannover, Germany
Portrait of an Aged Man
Oil on canvas
Musée Granet, Aix-en-Provence, France
Head of an Old Man, 1640s
Oil on canvas, 15.1 x 12.2 in
Groninger Museum, The Netherlands
Mercury and Argus, between c 1645 and c 1647
Oil on canvas, 28.9 x 40.9 in //
Los Angeles County Museum of Art
Jesus among the Doctors, 1640s
Pen and brush, brown ink, heightened with white gouache, 8.66 x 11.61 in //
Museum collection Am Römerholz, Winterthur, Switzerland
The Beheading of John the Baptist, 1648-50
Oil on canvas, 58.7 x 47.6 in //
Rijksmuseum, Amsterdam
Henry Fuseli, Swiss-English Artist, February 7, 1741 - April 17, 1825
Henry Fuseli (aged 63) by Edward Hodges Baily, 1824. National Gallery, London
Thor's Fight Against the Midgard Serpent, 1788
Oil on canvas, 51.5 x 35.8 in //
Royal Academy of Arts, London
The Nightmare, c 1781
Oil on canvas, 40 × 50 in //
Detroit Institute of Arts
The Artist Moved by the Grandeur of Antique Fragments, between 1778 and 1779
Red chalk on sepia wash, 16.33 x 13.97 in //
Kunsthaus Zürich
Lady Macbeth Seizing the Daggers, 1812
Oil on canvas, 50 x 40 in //
Tate Britain, London
Ariel, From Act V, Scene 1 of William Shakespeare's The Tempest, c 1800–1810
Oil on canvas, 36.4 x 28.1 in //
Folger Shakespeare Library, Washington DC
Falstaff in the Laundry Basket, 1792
Oil on canvas, 53.9 x 66.9 in //
Kunsthaus Zürich
Titania and Bottom, c 1790
Oil on canvas, 85.5 x 108.5 in //
Tate Britain, London
The Two Murderers of the Duke of Clarence, From Act I, Scene 4 of William Shakespeare's Richard III, between 1780 and 1782
Oil on canvas, 27 x 20.9 in //
Folger Shakespeare Library, Washington DC
Portrait of Anna Magdalene Schweizer, née Hess, 1779
Zentralbibliothek Zürich
Thetis Mourning the Death of Achilles, 1780
Tempera on cardboard, 16.4 x 21.9 in //
Art Institute of Chicago
The Creation of Eve, 1793
Oil on canvas, 10 ft x 81.4 in //
Kunsthalle Hamburg
Macbeth Consulting the Vision of the Armed Head, From Act IV, Scene 1 of Macbeth, 1793
Oil on canvas, 66 x 52.8 in //
Folger Shakespeare Library, Washington DC