Charles-François Daubigny

On February 3, 2026 - 19th Century, february 15, French

Charles-François Daubigny, French painter, February 15, 1817 –February 19, 1878

Nadar, Daubigny

The Apple Orchard Oil on canvas, 6.4 x 13.4 in // Charles Allis Art Museum, Milwaukee

The Farm, 1855 Oil on canvas, 20.2 x 32 in // National Gallery of Art, Washington DC

The Hamlet of Optevoz, c 1852 Oil on canvas, 22.7 x 36.4 in // Metropolitan Museum of Art, New York

Moonlight, Champigny, 1867 Oil on panel, 8.6 x 17.7 in // Private collection

Field of Poppies, 1872 Oil on panel, 14.9 x 26.1 in // Museum Boijmans Van Beuningen, Rotterdam

The Cascade of Mahoura, Cauterets, 1872 Oil on canvas, 31.8 x 44 in // Museum Boijmans Van Beuningen, Rotterdam

Sunset by a River Oil on canvas, 19.3 x35.5 in // Museum of Fine Arts Boston

Before and After the Vote Oil on panel Manchester Art Gallery, UK

Tripleval on the Seine, 1875 Oil on canvas, 15.3 x 26.3 in // Finnish National Gallery, Helsinki

Ferry at Bonnières Museum of Fine Arts, Leipzig

Laundresses in Bezon Museum of Fine Arts, Leipzig

Marie Bridge, 19th century Oil on canvas, 9.45 x 11.4 in // National Museum of Fine Arts, Buenos Aires, Argentina

Low Tide near Villerville, 1870 Oil on canvas, 17.7 x 32.2 in Private collection

Cavaliere d’Arpino

On February 1, 2026 - 16th Century, 17th Century, february 14, Italian

Cavaliere d'Arpino, Italian painter, February 14, 1568 – July 3, 1640

Self-Portrait, 1640 Accademia di San Luca, Rome

Perseus Rescuing Andromeda, 1594/95 Oil on panel, 20 11/16 x 14 15/16 in Clark Institute of Art, Williamstown, Massachusetts

Diana and Actaeon, from 1602 until 1603 Oil on copper, 19.6 x 27.1 in // Museum of Fine Arts, Budapest

Discovery of Romulus and Remus, 1596 Fresco Palazzo dei Conservatori, Rome

Combat of the Horatii and the Curiatii, 1612 - 1613) Fresco Capitoline Museums, Rome

Cavaliere d'Arpino, Archangel Michael and the Rebel Angels, c 1592–1593 Oil on tin plate or oil on copper, 18.8 x 16.4 in Kelvingrove Art Gallery and Museum, Glasgow

Archangel Michael and the Rebel Angels, c 1592–1593 Oil on tin plate or oil on copper, 18.8 x 16.4 in // Kelvingrove Art Gallery and Museum, Glasgow

The Expulsion from Paradise, c 1600-1610 Oil on copper, 20.2 x 13.9 in // Apsley House, London

Christ in Joseph's Workshop, from 1610 until 1625 Oil on canvas, 36.2 × 42.1 in // Museu Nacional de Belas Artes, Rio de Janeiro, Brazil

Cavaliere d'Arpino, Judith with the Head of Holofernes, between 1605 and 1610 Oil on canvas, 24.1 x 18.8 in Berkeley Art Museum and Pacific Film Archive

Judith with the Head of Holofernes, between 1605 and 1610 Oil on canvas, 24.1 x 18.8 in // Berkeley Art Museum and Pacific Film Archive

Noli Me Tangere Oil on pine wood, 17.7 x 14.4 in // Private collection

Martyrdom of Saint Margaret, between 1608 and 1611 Oil on panel, 33.5 x 24.6 in // National Gallery of Art, Washington DC

Head of a Bearded Man Wearing a Hood in Profile Facing Left, between 1636 and 1638 Pen and brown ink, 10 7/16 x 6 5/8 // Metropolitan Museum of Art, New York

David and Goliath, 1600s Black charcoal and red pencil, 7.3 x 9.8 in // Musée des Beaux-Arts, Lille, France

Max Beckmann

On January 31, 2026 - 20th Century, february 12, German

Max Beckmann, German artist, February 12, 1884-December 28, 1950

Self-Portrait, House Gable in Background, drypoint, 1918 Speed Art Museum, Louisville, Kentucky

Children Of The Twilight/Orcus, 1939 Oil on canvas Private collection

Ritz Bar, Paris, 1939 Oil on canvas Private collection

View from the Rupenhorn on the Havel, 1936 Oil on canvas Neue Nationalgalerie, Berlin

The George Family , 1935 Oil on canvas Neue Nationalgalerie, Berlin

Women's Bath, 1919 Oil on canvas Neue Nationalgalerie, Berlin

Large Fish Still Life, 1927 Oil on canvas, 37.7 x 55.3 in // Hamburger Kunsthalle

Bend in the Canal on the front in Ypres during the First World War, 1915 Pen, black ink and pencil on vellum paper, 14.8 x 15.6 in

Woman Lying on a Sofa, 1944 Black ink pen drawing over pencil on cream-coloured ribbed handmade paper, 13 x 9,2 in

Woman's Head with Necklace, 1944 Black ink drawing over pencil on cream-colored ribbed handmade paper, 11.1 x 9.1 in

Portrait of Walter Carl, 1916 Drypoint and etching Honolulu Museum of Art

Minette/Girl's head, 1922 Etching Osthaus-Museum Hagen, Germany

Eugène Atget

On January 30, 2026 - 19th Century, 20th Century, february 12, French

Eugène Atget, French Photographer, February 12, 1857 – August 4, 1927

Portrait of Atget, c 1890

Organ-Grinder, Paris, 1898–99, printed 1956 Gelatin silver print Metropolitan Museum of Art, New York

A Shopwindow on Avenue des Gobelins in Paris, 1925 Metropolitan Museum of Art, New York

Ragpicker, 1899 - 1901 Albumen silver print, 8.74 x 7.12 in Getty Center, Los Angeles

Eugène Atget, People Watching an Eclipse, Embankment of the Place de la Bastille towards Rue Saint-Antoine, 1912 Metropolitan Museum of Art, New York

People Watching an Eclipse, Embankment of the Place de la Bastille towards Rue Saint-Antoine, 1912 Metropolitan Museum of Art, New York

"La Villette," a Prostitute, 19th Arrondissement, Paris, 1921 Private collection

Saint-Cloud, 1924 Gold chloride toned print, 8.6 x 6.9 in Yale University Art Gallery

Artichokes, before 1900 Museum of Modern Art, New York

Female Nude Viewed From Behind Lying on Bed, 1925 Getty Center, Los Angeles

Artichoke Seller, place Saint-Médard, 5th Arrondissement, Paris, 1899 Print on albumin paper, 8.5 x 6.7 in // Musée Carnavalet, Paris

Basket Seller, 1899-1900 Museum of Modern Art, New York

Atget_-_Heurtoir,_Hotel_de_Conflans,_24_Rue_de_l’Universite,_2008.111.37

Eugène Atget, Door Knocker, Hotel de Conflans, 24 Rue de l'Université

Grant Wood

On January 29, 2026 - 20th Century, American, february 13

Grant Wood, American artist, February 13, 1891 - February 12, 1942

Sentimental Ballad, 1940 Oil on masonite, 24 × 50 in // New Britain Museum of American Art, Connecticut

Self-Portrait, 1932 / 1941 Oil on masonite, 13.9 x 11.7 in // Figge Art Museum, Davenport, Iowa

Calendulas, 1938 Oil on composition board, 17.5 x 20.25 inches // Museum of Art Cedar Rapids, Iowa

Plaid Sweater, 1931 Oil on masonite, 29.5 × 24.13 in // University of Iowa Stanley Museum of Art

Spring in Town, 1941 Oil on wood, 26 x 24.5 in // Swope Art Museum, Terre Haute, Indiana

Appraisal, 1932 Oil on composition board Dubuque Museum of Art, Iowa

Spring Turning, 1936 Oil on Masonite, 18.25 x 40.13 in // Reynolda House Museum of American Art, Salem, North Carolina

Stone City, Iowa, 1930 Joslyn Art Museum, Omaha, Nebraska

Fall Plowing, 1931 Oil on canvas, 24 x 33.8 in // Deere & Company, Moline, Illinois

Daughters of the American Revolution, 1932 Oil on masonite, 20 x 40 in // Cincinnati Art Museum

January, between 1940 and 1941 Oil on masonite, 26.3 x 32.4 in // Cleveland Museum of Art

Woman with Plants, 1929 Oil on upsom board, 20.5 x 17.9 in // Museum of Art Cedar Rapids, Iowa

Franz Marc

On January 29, 2026 - 20th Century, february 8, German

Franz Marc, German artist, February 8, 1880-March 4, 1916

Franz Marc, 1910

Dog Lying in the Snow, 1911 Oil on canvas, 41.3 x 25 in // Städel Museum, Frankfurt, Germany

Young Boy with a Lamb/The Good Shepherd, 1911 Oil on canvas, 34.6 × 32.9 in // Solomon R. Guggenheim Museum, New York

The Little Blue Horses, 1911 Oil on canvas, 24.2 x 39.7 in // Staatsgalerie Stuttgart

Red Bull, 1912 Gouache on paper, 13.3 x 16.9 in // Pushkin Museum, Moscow

The Foxes, 1913 Oil on canvas, 34.6 x 26 in // Museum Kunstpalast, Düsseldorf

The Tiger, 1912 Color woodcut print on paper, 43.9 × 40 in // Lenbachhaus, Munich

Franz Marc, The Tower of the Blue Horses, Oil on canvas, 78.7 x 51.1 in Shown in the "Degenerate Art" Exhibition in Munich, July to November 1937; Missing since 1945

The Tower of the Blue Horses, Oil on canvas, 78.7 x 51.1 in // Shown in the "Degenerate Art" Exhibition in Munich, July to November 1937; Missing since 1945

The Fate of the Animals, 1913 Color on canvas, 77.1 x 104.7 in // Kunstmuseum Basel

Dreaming Horses, 1913 Watercolor, gouache, ink, and graphite on paper, 15.5 x 18.4 in // Solomon R. Guggenheim Museum, New York

Animal Legend, unknown date Woodcut

Two Cats, before 1910 Lenbachhaus, Munich

The Panther, 1908 Bronze, 3.8 x 4.7 in; thickness: 3.9 in // Lenbachhaus, Munich

Guercino

On January 28, 2026 - 17th Century, february 8, Italian

Guercino, Italian Painter, February 8, 1591 – December 9, 1666

Self-Portrait with a Palette, c 1624-6 Oil on canvas, 30.3 x 24.4 in // Louvre Museum, Paris

The Persian Sibyl, 1647 - 1648 Oil on canvas, 46.1 in x 37.8 in // Capitoline Museum, Rome

Samson and Delilah, 1654 Oil on canvas, 69.2 x 87.7 in // Musée des Beaux-Arts de Strasbourg, France

Martyrdom of St Catherine, 1653 Oil on canvas, 87.5 x 62.5 in // Hermitage Museum, St Petersburg

King David, 1651 Oil on canvas, 87.9 x 67 in // National Gallery, London

Personification of Astrology, between 1650 and 1655 Oil on canvas, 31.7 x 25.7 in // Blanton Museum of Art, Austin, Texas

Laundry Women at a Dilapidated Gate University Libraries Leiden, The Netherlands

Flying Putto Holding a Basket With Flowers, between 1606 and 1666 Black chalk and stumping, 6.2 x 7.6 in // Private collection

St Peter and the Angel, early 1650s Red chalk on paper, 0.82 x 1.18 in // Art Gallery of South Australia, Adelaide

The Triumph of David, 1636 - 1637 Pen, brown ink, brown wash on paper, 9.25 x 12.44 in // Museum of Fine Arts, Budapest

Bearded Man with a Hat, in Profile to Left Drawing, 6.4 x 4.8 in // Nationalmuseum, Stockholm

A Seated Female Nude/Bathsheba, 17th century Ink on paper pen and brown ink, red chalk, 9.13 x 7.32 in // Private collection

Carel Pietersz. Fabritius

On January 28, 2026 - 17th Century, Dutch, february 27

Carel Pietersz. Fabritius, Dutch painter, February 27, 1622 – October 12, 1654

Self-portrait, circa 1645 Oil on panel, 24.5 x 20.1 in // Alte Pinakothek, Munich

The Sentry, 1654 Oil on canvas, 26.7 x 22.8 in // Staatliches Museum Schwerin, Germany

A View of Delft, 1652 Oil on canvas mounted on walnut wood, 6.1 x 12.4 in // National Gallery, London

Raising of Lazarus, 1640s Oil on canvas, 82.6 x 55.1 in // National Museum in Warsaw

Hagar and the Angel, 1645 Oil on canvas, 62.2 x 53.5 in // Leiden Collection, Residenzgalerie Salzburg, Austria

Mercury and Aglauros, between c 1645 and c 1647 Oil on canvas, 28.5 x 35.8 in // Museum of Fine Arts Boston

Portrait of Abraham de Potter, 1649 Oil on canvas, 26.9 x 22.4 in // Rijksmuseum, Amsterdam

Portrait of a Lady in Profile, 1654 Oil on canvas, 26.1 x 22.6 in // Landesmuseum Hannover, Germany

Portrait of an Aged Man Oil on canvas Musée Granet, Aix-en-Provence, France

Head of an Old Man, 1640s Oil on canvas, 15.1 x 12.2 in Groninger Museum, The Netherlands

Mercury and Argus, between c 1645 and c 1647 Oil on canvas, 28.9 x 40.9 in // Los Angeles County Museum of Art

Carel Pietersz. Fabritius, Jesus among the Doctors, 1640s Pen and brush, brown ink, heightened with white gouache, 8.66 x 11.61 in Museum collection Am Römerholz, Winterthur, Switzerland

Jesus among the Doctors, 1640s Pen and brush, brown ink, heightened with white gouache, 8.66 x 11.61 in // Museum collection Am Römerholz, Winterthur, Switzerland

The Beheading of John the Baptist, 1648-50 Oil on canvas, 58.7 x 47.6 in // Rijksmuseum, Amsterdam

John Ruskin

On January 11, 2026 - 19th Century, English, february 8

John Ruskin, English art critic and artist, February 8, 1819 – January 20, 1900

William Downey

John Ruskin, 1863
Albumen carte-de-visite photograph, 3 1/2 x 2 1/8 in //

National Portrait Gallery, London

Portrait of Rose La Touche, 1860Pencil, watercolour, in oval mount, 15.5 x 14.4 in

Study of Gneiss Rock, Glenfinlass, 1853
Pen, brown ink, ink wash (lamp-back) and bodycolour, 18.8 x 12.9 in //

Ashmolean Museum, Oxford, England

View of Amalfi, 1844

Rouen: River Seine and its Islands from Canteleu, 1880

Watercolor, bodycolor and ink wash, 11.6 x 16.4 in

Rocks in Unrest: Study of the Foreground of Turner's The Pass of St Gotthard, Near Faido, between c 1845 and c 1855

Pencil, watercolor, with some scratching out, 7.3 x 12.1 in

Fribourg, Suisse, between c 1854 and c 1857

Pencil, ink, watercolor and bodycolor, 8.9 x 11.3 in

Zermatt, 1844

Naples, c 1841

Watercolor, 13 3/4 x 17 1/2 in //

Metropolitan Museum of Art, New York

The Aiguille Blaitiere, c 1856

Drawing with wash

Lauffenbourg, c 1863

Kingfisher, c 1870-1871

Pencil, ink, watercolor and gouache, 10.1 x 8.5 in //

Tate Britain, London

Henry Fuseli

On January 11, 2026 - 18th Century, 19th Century, English, february 7

Henry Fuseli, Swiss-English Artist, February 7, 1741 - April 17, 1825

Henry Fuseli (aged 63) by Edward Hodges Baily, 1824. National Gallery, London

Thor's Fight Against the Midgard Serpent, 1788 Oil on canvas, 51.5 x 35.8 in // Royal Academy of Arts, London

The Nightmare, c 1781 Oil on canvas, 40 × 50 in // Detroit Institute of Arts

The Artist Moved by the Grandeur of Antique Fragments, between 1778 and 1779 Red chalk on sepia wash, 16.33 x 13.97 in // Kunsthaus Zürich

Lady Macbeth Seizing the Daggers, 1812 Oil on canvas, 50 x 40 in // Tate Britain, London

Henry Fuseli, Ariel, From Act V, Scene 1 of William Shakespeare's The Tempest, c 1800–1810 Oil on canvas, 36.4 x 28.1 in Folger Shakespeare Library, Washington DC

Ariel, From Act V, Scene 1 of William Shakespeare's The Tempest, c 1800–1810 Oil on canvas, 36.4 x 28.1 in // Folger Shakespeare Library, Washington DC

Falstaff in the Laundry Basket, 1792 Oil on canvas, 53.9 x 66.9 in // Kunsthaus Zürich

Titania and Bottom, c 1790 Oil on canvas, 85.5 x 108.5 in // Tate Britain, London

Henry Fuseli, The Two Murderers of the Duke of Clarence, From Act I, Scene 4 of William Shakespeare's Richard III, between 1780 and 1782 Oil on canvas, 27 x 20.9 in Folger Shakespeare Library, Washington DC

The Two Murderers of the Duke of Clarence, From Act I, Scene 4 of William Shakespeare's Richard III, between 1780 and 1782 Oil on canvas, 27 x 20.9 in // Folger Shakespeare Library, Washington DC

Portrait of Anna Magdalene Schweizer, née Hess, 1779 Zentralbibliothek Zürich

Thetis Mourning the Death of Achilles, 1780 Tempera on cardboard, 16.4 x 21.9 in // Art Institute of Chicago

The Creation of Eve, 1793 Oil on canvas, 10 ft x 81.4 in // Kunsthalle Hamburg

Henry Fuseli, Macbeth Consulting the Vision of the Armed Head, From Act IV, Scene 1 of Macbeth, 1793 Oil on canvas, 66 x 52.8 in Folger Shakespeare Library, Washington DC

Macbeth Consulting the Vision of the Armed Head, From Act IV, Scene 1 of Macbeth, 1793 Oil on canvas, 66 x 52.8 in // Folger Shakespeare Library, Washington DC

Daniel Lieberman's Imaginary Museum

"A work of art is a transformation of something in order to transform someone." — Paul Valéry

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