Paul Sescau, Photo of Henri de Toulouse-Lautrec, 1894
Bartet and Mounet-Sully, in Antigone, 1893
Crayon and brush lithograph printed in two colors on wove paper trimmed to plate edge; second state of two, 14 15/16 x 11 in //
Metropolitan Museum of Art, New York
Jane Avril, 1893
Lithograph
Cleveland Museum of Art
At the Moulin Rouge, 1892/95
Oil on canvas, 48.42 x 55.51 in //
Art Institute of Chicago
Portrait of Painter Suzanne Valadon, 1885
Oil on canvas, 21.6 x 18.1 in //
National Museum of Fine Arts, Buenos Aires
The Laundress, 1889
Oil on canvas, 36.6 x 29.5 in //
Private collection
Gaston Bonnefoy
Oil on board, 28 x 14.6 in //
Thyssen-Bornemisza Museum, Madrid
At the Moulin-Rouge, Two Women Walzing, 1892
Oil on board, 36.6 x 31.4 in //
National Gallery Prague
The Medical Inspection at the Rue des Moulins, 1894
Oil on cardboard on wood, 32.8 x 24.1 in //
National Gallery of Art, Washington DC
Marcelle Lender Dancing the Bolero in "Chilpéric", between 1895 and 1896
Oil on canvas, 57 1/16 x 58 11/16 in //
National Gallery of Art, Washington DC
Mademoiselle Nys, 1899
Oil on unprimed wood, 10 5/8 x 8 5/8 in //
Metropolitan Museum of Art, New York
Émilie, late 1890s
Oil on wood, 16 1/4 x 12 3/4 in //
Metropolitan Museum of Art, New York
Yvette Guilbert, 1893
Gouache and charcoal on Paper. 21.25 x 14.75 in //
Museo Nacional Thyssen-Bornemisza, Madrid
The Hangover (Suzanne Valadon), 1887–1889
Oil on canvas
Private collection
The Laundress, 1888
Black and gray wash with white paint on gray cardboard, 29 7/8 x 24 13/16 in //
Cleveland Museum of Art
Owl on a Grave, circa 1836/37
Sepia over pencil, 10.1 in x 8.7 in //
Pushkin Museum of Fine Arts, Moscow
Ruined Monastery of Eldena near Greifswald, 1824/25
Oil on canvas, 19.3 x 13.8 in //
Alte Nationalgalerie, Staatliche Museen zu Berlin, Germany
Landscape with Grave, Coffin and Owl, 1836-37
Sepia over pencil, 15 x 15 in //
Kunsthalle, Hamburg
Coffin at the edge of a grave, second half of 1830s
Sepia and brush over graphite pencil on paper, 15.47 in x 15.51 in //
Pushkin Museum of Fine Arts, Moscow
Lady on the Staircase / Caroline on the stairs, circa 1825
Oil on canvas, 28.9 in x 20.4 in //
Pomeranian State Museum, Greifswald, Germany
Grand Canal, Venice, c.1898 - c.1899 Watercolor on paper, 9 x 13.6 in
Boston Harbor, c.1900 - c.1905
Watercolor on paper, 28.26 x 39.37 cm //
Private Collection
Santa Maria Formosa, Venice, c.1911 - c.1912
Pencil, watercolor, paper, 23.16 x 15.25 in //
Museum of Fine Arts, Boston
The Flying Horses, c.1900 - c.1901
Watercolor on paper, 13.6 x 21 in
Private Collection
At the Shore (Capri), c.1898 - c.1899
Watercolor on paper, 10 x 14 in //
Private Collection
Untitled (Kneeling Man), 1891
Watercolor and pencil on paper, 6 ¾ x 3 ¾ inches //
Private Collection
Lake, New Hampshire, c.1910 - c.1913
Watercolor on paper, 8.75 x 11.75 cm //
Private Collection
Madison Square, 1901
Watercolor and graphite pencil on paper, 15 3/8 × 16 13/16 in //
Whitney Museum of American Art, New York
Courtyard Scene, Siena, c. 1898-9
Watercolor and graphite on paper
Honolulu Museum of Art
West Church Boston, between 1900 and 1901
Transparent and opaque watercolor over graphite pencil on paper, 10 15/16 x 15 3/8 in //
Museum of Fine Arts Boston
New England Harbor, between circa 1919 and circa 1923
Oil on canvas, 24 x 28 in //
Cincinnati Art Museum
Honoré Daumier, French artist, February 26, 1808 – February 10 or 11, 1879
Daumier c. 1850
Couple Singing, 1845-1850
Oil on canvas, 14.6 x 11.2 in //
Rijksmuseum Amsterdam
Camille Desmoulins in the Palais Royal, c 1850
Charcoal, watercolor and gouache on cardboard, 21.8 x 17.6 in //
The Pushkin State Museum of Fine Arts, Moscow
The Two Colleagues (Lawyers Series), 1865–1870
Opaque and transparent watercolor, black ink, and charcoal on wove paper, 10 × 7 13/16 in //
Brooklyn Museum, New York
Fugitives, 1848
Plaster Relief, 21.5 x 36.8 in //
Musée d'Orsay, Paris