Hans Baldung (called Hans Baldung Grien), German artist, 1484/85-1545
Self-portrait, circa 1502
Pen and brush on blue-green primed paper, 8.6 x 6.2 in //
Kunstmuseum Basel
Self-portrait, 1516
Oil
Freiburg Minster, Germany
Portrait of a Lady, circa 1530
Oil on panel, 27.2 in x 20.6 in
Thyssen-Bornemisza Museum, Madrid
Portrait of a Man, 1514
Oil on lime, 23.3 in x 19.2 in
National Gallery, London
Venus and Amor, between 1524 and 1525
Oil on linden wood, 81.88 x 33.07 in //
Kröller-Müller Museum, Otterlo, Netherlands
Mercury
Oil on panel, 76.3 x 25.1 in //
Nationalmuseum, Stockholm
Eve, 1525
Oil on panel, 81.88 x 32.87 in //
Museum of Fine Arts, Budapest
Adam, 1525
Oil on panel, 82.08 x 32.87 in //
Museum of Fine Arts, Budapest
The knight, the Girl and Death, between circa 1498 and circa 1508
Oil on lime panel, 13.9 x 11.6 in //
Louvre Museum, Paris
Two Witches, 1523
Oil on limewood, 25.7 x 18.1 in //
Städel Museum, Frankfurt
New Year's Greeting with Three Witches, 1514
Black quill pen drawing, partly washed in gray, heightened in white, on brown primed paper, 12.2 x 8.3 in //
Albertina Museum, Vienna
Lamentation of Christ, between 1516 and 1517
Oil on wood, 55.6 x 37.7 in //
Gemäldegalerie, Berlin
Saint John the Evangelist on Patmos, circa 1511
Oil, gold and white metal on spruce wood, 35.2 × 30.2 in //
Metropolitan Museum of Art, New York
Mater Dolorosa (detail), circa 1516
Oil on wood, 60.2 in x 18.1 in //
Museum of Fine Arts, Budapest
The Trinity and Mystic Pietà, 1512
Oil on oak panel, 44.2 x 35 in //
National Gallery, London
The Crucifixion of Christ, 1512
Oil on linden wood, 59.4 x 40.9 in //
Gemäldegalerie, Berlin
Printer's Device of Johannes Froben, c.1523
Tempera on canvas, 17 x 12 in
Kunstmuseum Basel, Basel, Switzerland
Darmstadt Madonna, 1526
Oil on softwood, 57.6 x 40.1 in //
Johanniterkirche, Schwäbisch Hall, Germany
Portrait of a Nobleman with a Hawk, 1542
Oil on panel, 9.7 x 7.4 in //
Mauritshuis, The Hague
Portrait of Dr John Chambers
Oil on oak wood, 22.8 x 15.6 in //
Kunsthistorisches Museum, Vienna
Nicholas Kratzer, late 16th century
Oil on panel, 32.2 x 25.5 in //
National Portrait Gallery, London
Self-Portrait, between circa 1542 and circa 1543
Pastel on paper, 12.5 x 10.2 in //
Uffizi Gallery, Florence
Charles de Solier, Sieur de Morette, between 1534 and 1535
Oil on oak panel, 36.4 x 29.7 in //
State Art Collections, Dresden
The Poet Henry Howard, Earl of Surrey, Circa 1542
Oil and tempera on panel, 21.8 in x 17.5 in //
São Paulo Museum of Art, Brazil
Portrait of Desiderius Erasmus of Rotterdam, 1523
Oil and tempera on panel, 28.9 x 20.2 in //
National Gallery, London
Portrait of the Painters' Wife and Their Two Oldest Children, between 1528 and 1529
Mixed technique on paper and on lime panel, 31.2x 25.4 in //
Kunstmuseum Basel
Portrait of Anne of Cleves, 1539
Oil and vellum on canvas, 25.5 x 18.8 in //
Louvre Museum, Paris
Lais of Corinth, 1526
Mixed media on lime panel, 14 x 10.5 in //
Kunstmuseum Basel
A Lady with a Squirrel and a Starling, circa 1526–1528
Oil on oak wood, 22 x 15.2 in //
National Gallery, London
Jane Seymour, between 1536 and 1537
Oil on oak panel, 25.7 x 16 in //
Kunsthistorisches Museum, Vienna
Christina of Denmark, Duchess of Milan, 1538
Oil on oak wood, 70.5 x 32.5 in //
National Gallery, London
Charles Brandon, 3rd Duke of Suffolk, 1541
Watercolor paint on vellum, 2.1 in diameter //
Royal Collection, UK
Henry Brandon, 2nd Duke of Suffolk, circa 1541
Watercolor paint on vellum, 2.1 in diameter //
Royal Collection, UK
The Armed Knight, from the series known as The Dance of Death
Woodcut, 2.6 × 1.9 in
The Peasant (or Ploughman, from the series known as The Dance of Death
Woodcut, 2.6 × 1.9 in
The Abbot, from the series known as The Dance of Death
Woodcut, 2.6 × 1.9 in //
Kunstmuseum Basel
The Count, from the series known as The Dance of Death
Woodcut, 2.6 × 1.9 in
The Countess, from the series The Dance of Death 16th century
Woodcut
Fogg Art Museum (Harvard University), Cambridge, Massachusetts
Memling's Self-Portrait at National Gallery, London
Portrait of an Old Man, ca. 1475
Oil on wood; Overall 10 3/8 x 7 5/8 in
Vanity, central panel from the Triptych of Earthly Vanity and Divine Salvation, c.1485
Oil on panel, 8 x 5.1 in //
Musée des Beaux-Arts de Strasbourg, France
Christ at the Column, 1485-90
Oil on oak panel, 23.1 x 13.5 //
Colección Mateu, Barcelona
Portrait of a Donor, circa 1490
Oil on oak wood, 17.5 in x 12.5 in //
National Museum of Art of Romania, Bucharest
Triptych of the Mystical Marriage of St. Catherine of Alexandria, right wing: Scene of St. John the Evangelist in Patmos, 1474 - 1479
Oil on panel, 68.3 in x 68.3 in //
Sint-Janshospitaal, Bruges, Belgium
Diptych with the Allegory of True Love, Between 1485 and 1494
Oil on oak wood, 16.9 in x 6.2 in //
Museum Boijmans Van Beuningen, Rotterdam
Christ Giving His Blessing, 1481
Oil on oak, 13.7 in x 31.1 in //
Museum of Fine Arts, Boston, MA
Portrait of a Donor, circa 1490
Oil on oak wood, 17.5 in x 12.5 in //
National Museum of Art of Romania, Bucharest
Triptych of the Resurrection, left panel c.1485 - 1490
Oil on panel, 24 x 7.5 in //
Louvre, Paris
Triptych of the Resurrection, center panel c.1485 - 1490
Oil on panel, 24 x 17.6 in //
Louvre, Paris
Triptych of the Resurrection, right panel c.1485 - 1490
Oil on panel, 24 x 7.5 in //
Louvre, Paris
Triptych of the Family Moreel, 1484
Oil on panel, 56 x 68.5 in (central), 56 x 34.25 in (wings) //
Groeningemuseum, Bruges, Belgium
The Martyrdom of St Sebastian, c. 1475
Oil on wood, 26.6 x 26.6 in //
Royal Museums of Fine Arts of Belgium, Brussels
Portrait of Willem Moreel, circa 1480
Oil on panel, 14.5 x 10.6 in //
Royal Museums of Fine Arts of Belgium, Brussels
Portrait of Barbara van Vlaendenbergh, circa 1480
Oil on panel, 14.5 x 10.6 in //
Royal Museums of Fine Arts of Belgium, Brussels