John Constable, British painter, June 11, 1776-March 31, 1837
Self-portrait (1806)
Brighton Beach with Colliers, 1824
Oil on canvas, 57 x 10 in
Victoria and Albert Museum, London
Seascape Study with Rain Cloud (Rainstorm over the Sea), between 1824 and 1828
Oil on paper, 8.7 in x 12.2 in //
Royal Academy of Arts, London
Stour Valley and Dedham Church, circa 1815
Oil on canvas, 21.8 in x 30.6 in //
Museum of Fine Arts Boston
The Bridges Family, 1804
Oil on canvas, 72.3 in x 53.5 in
Tate Gallery, London
Maria Bicknell, Mrs John Constable, 1816
Oil on canvas, 9.8 in x 12 in //
Tate Gallery, London
The Lock, 1824
Oil on canvas, 55.9 in x 47.5 in //
Private Collection
Branch Hill Pond, Hampstead, 1828
Oil on canvas, 23 7/8 x 30 3/4 in //
Cleveland Museum of Art
Cloud Study, 1821
Oil on paper mounted on board, 9 3/4 x 11 7/8 in //
Yale Center for British Art, New Haven
Cloud Study: Stormy Sunset, 1821-1822
Oil on paper on canvas, 8 × 10 3/4 in
National Gallery of Art, Washington, DC
Cloud Study, 1822
Oil paint on paper on board, 18.7 x 22.6 in //
Tate Gallery, London
Boat-Building Near Flatford Mill, 1815
Oil on canvas, 20 x 24.25 in //
Victoria & Albert Museum, London
Weymouth Bay, with Jordan Hill, 1816
Oil on canvas, 21 x 29.5 in //
National Gallery, London
Old Sarum, 1834
Watercolour, 12 x 19 in //
Victoria and Albert Museum, London
Salisbury Cathedral from the Meadows, c. 1830
Oil on canvas, 18 x 24 in //
Private collection
The Admiral's House (The Grove), 1820-23
Oil on canvas, 23.6 x 19.7 in //
Nationalgalerie, Berlin
Golding Constable's Flower Garden, 1815
Oil on canvas, 12.9 x 20 in //
Ipswich Museum, UK
Golding Constable's Kitchen Garden, 1815
Oil on canvas, 12.9 x 20 in //
Ipswich Museum, UK
Salisbury Cathedral and Leadenhall from the River Avon, 1820
Oil on canvas, 20.7 x 30.3 in //
National Gallery, London
Salisbury Cathedral from the Close, 1820
Oil on canvas, 10 x 12 in //
Victoria & Albert Museum, London
Salisbury Cathedral From the South-West, c 1820
Oil Sketch
Salisbury Cathedral from the Bishop's Grounds, ca. 1825
Oil on canvas, 34 5/8 x 44 in //
Metropolitan Museum of Art, New York
Mary Freer, 1809
Oil on canvas, 38.50 x 34.01 in //
Yale Center for British Art, New Haven, Connecticut
A Village Fair, Probably at East Bergholt, 1811
Oil Sketch, 6.8 x 14 in //
Victoria & Albert Museum, London
The Cornfield, 1826
Oil on canvas, 56.2 x 48 in //
National Gallery, London
Cenotaph to the Memory of Sir Joshua Reynolds, Erected in the Grounds of Coleorton Hall, Leicestershire by the Late Sir George Beaumont, 1836
Oil on canvas, 51.9 x 42.7 in //
National Gallery, London
Stonehenge, 1835
Watercolour, 15.2 x 23.5 in //
Victoria & Albert Museum, London
Cloud Study, 1816/1826
Oil on paper laid on card, 10.7 x 8 in //
Yale Center for British Art, New Haven, Connecticut
Hampstead Heath, with a Bonfire, c 1822
Oil on canvas, 12.36 x 14.48 in //
Yale Center for British Art, New Haven, Connecticut
Harnham Gate, Salisbury, between 1820 and 1821
Oil on canvas, 20 x 20 in //
Yale Center for British Art
Seascape
Pencil and brown wash, 6.2 x 9.4 in //
Private collection
Illustration to Thomas Gray's 'Elegy', Stanza V
Watercolor
British Museum, London
Landscape With Tree in Centre, Windmill at Rear
Watercolor
British Museum, London
A Country Girl in the Lake District, 1806
Watercolor, 6.73 x 2.75 in //
Yale Center for British Art
Brighton Beach Looking West
Graphite, pen and black ink and watercolor on medium, slightly textured, cream wove paper, 4.48 x 7.12 in //
Yale Center for British Art
Sky Study with Rainbow, 1827
Watercolor on medium, smooth, blued white wove paper, 8.85 x 7.24 in //
Yale Center for British Art
Graham Sutherland, British painter, August 24, 1903 – February 17, 1980
Graham Sutherland
Green Tree Form: Interior of Woods, 1940
Oil paint on canvas, 31 x 42 in
Tate Gallery, London
4. The Snake, Part of The Bestiary or the Procession of Orpheus,
1978–9
Etching and aquatint on paper, 19.3 x 14.25 in //
Tate Gallery, London
Cornish Tin Mine, Emerging Miner, 1943
Oil on canvas, 46.5 x 30 in //
Leeds Art Gallery
Slag-Ladles, 1940s
Watercolour, ink, gouache, and crayon on hardboard, 20.2 x 14.8 in //
Imperial War Museum, London
Devastation, 1940: A House on the Welsh Border
Watercolour, gouache, ink, crayon and graphite on paper on cardboard, 31.5 x 21.5 in //
Tate Gallery, London
Devastation, 1941: East End, Burnt Paper Warehouse
Gouache, pastel, graphite and ink on paper on card, 26.5 x 44.8 in //
Tate Gallery, London
Portrait of James Boswell
Ink on paper, 5 x 4 in
Tate Gallery, London
Portrait of James Watt, circa 1812
Oil on canvas, 56 in x 44 in //
Birmingham Museum and Art Gallery, UK
Portrait of Lady Selina Caroline Meade, later Countess Clam-Martinic, April 1819
Oil on canvas, 29.9 in x 24.4 in //
Private collection
Portrait of Rebecca Cornwall, Lady Simeon, early 1790s
Oil on canvas, 30.2 in x 25.1 in //
Unidentified location
Sarah Trimmer, circa 1790
Oil on canvas, 30 in x 25 in //
National Portrait Gallery, London
Lydia Elizabeth Hoare, Lady Acland with her Two Sons, 1814
Oil on canvas, 60 in x 45.9 in //
National Trust, UK
Philadelphia Hannah, 1st Viscountess Cremorne, exhibited 1789
Oil paint on canvas, 95 × 58.2 in //
Tate Gallery, London
Mirza Abu'l Hassan Khan, 1810
Oil on canvas, 35 x 27 1/4 in //
Harvard Art Museums/Fogg Museum, Cambridge, Massachusetts
King William IV as the Duke of Clarence, between 1790 and 1795
Oil on canvas, 49.4 in x 39.4 in //
National Trust, UK
Princess Lieven, circa 1820
Oil on canvas, 18.3 in x 15.3 in //
Tate Britain, London
Richard Payne Knight, 1794
Oil on canvas, 50 in x 39.9 in //
Whitworth Art Gallery, Manchester, UK
Henrietta Maria Noel-Hill, Marchioness of Ailesbury, between circa 1809 and circa 1830
Oil on canvas, 93.5 x 55.9 in //
National Trust, Attingham Park, Shropshire, UK