David Cox Senior

On April 29, 2025 - 19th Century, april 29, English

David Cox Senior, English artist, 29 April 1783 – 7 June 1859

Shrewsbury Battlefield,1850 Watercolor

Rhyl Sands, circa 1854 Oil on canvas, 24.8 in x 17.8 in // Tate Britain, London

A Train on a Viaduct, unknown date Crayon and watercolor on paper, 3.3 x 4.5 in // Tate Britain, London

Travellers on a Path, brush and brown wash, over graphite

David Cox Senior, Windmill Watercolour on board, 9 x 6.25 Tate Britain, London

Windmill Watercolour on board, 9 x 6.25 in // Tate Britain, London

Calais: Hôtel de Guise, 1829 or 1832 Watercolour and graphite on paper // Tate Gallery, London

Naval Pensioner Watercolour and graphite on paper Tate, London

The Great Hall, Haddon Hall, 19th Century Watercolour over pencil on paper Birmingham Museums, United Kingdom

David Cox Senior, Place St. Barthélemy, Rouen, 1829 Watercolor and graphite on medium, slightly textured, cream wove paper, 10 3/8 x 8 1/2 inches Yale Center for British Art, New Haven, CT

Place St. Barthélemy, Rouen, 1829 Watercolor and graphite on cream wove paper, 10 3/8 x 8 1/2 in // Yale Center for British Art, New Haven, CT

David Cox, Senior, The Old Bridge at Bridgnorth, Shropshire, 1809

The Old Bridge at Bridgnorth, Shropshire, 1809 Watercolor

Junction of the Severn and the Wye with a Rainbow, 1829

Lucas Cranach the Elder

On April 28, 2025 - 15th Century, 16th Century, German, nbd

Lucas Cranach the Elder, German painter, 1472-1553

Lucas Cranach the Elder at 77, painted by Lucas Cranach the Younger

Lucas Cranach the Elder, The Princesses Sibylla, Emilia, and Sidonia of Saxony, circa 1535 Oil on lime wood, 24.4 in x 35 in Kunsthistorisches Museum, Vienna

The Princesses Sibylla, Emilia, and Sidonia of Saxony, circa 1535 Oil on lime wood, 24.4 in x 35 in // Kunsthistorisches Museum, Vienna

Portrait of a Man, 1529 Oil on beech wood, 20.1 in x 14 in // Royal Museums of Fine Arts of Belgium, Brussels

Salome with the Head of Saint John the Baptist, 1530s Oil on poplar, 34.25 x 22.8 in // Museum of Fine Arts, Budapest

Saint Christopher, between 1518 and 1520 Paint on lime, 16.4 × 3.1 in // Detroit Institute of Arts

Portrait of Princess Sibylle of Cleve, 1526 Paint on beech wood, 22.4 x 15.3 in // Schloss Weimar, Germany

Melancholy, 1532 Oil on panel, 20 x 38.1 in // Statens Museum for Kunst, Copenhagen

Portrait of the Elector John Frederic the Magnanimous of Saxony, 1531 Oil on panel, 20 x 14.5 in // Louvre Museum, Paris

Saint Peter, 16th century Oil on panel, 44.4 x 21.2 in // Louvre Museum, Paris

Venus with Amor the Honey Thief, after 1537 Oil on panel, 68.5 x 25.9 in // Kröller-Müller Museum, Otterlo, Netherlands

The Close of the Silver Age, circa 1530 Oil on oak wood, 19.7 x 14 in // National Gallery, London

Portrait of a Woman, from 1525 until 1527 Oil on panel, 14.1 x 9.8 in // National Gallery, London

The Fountain of Youth, 1546 Oil on lime panel, oil paint, 47.4 x 73.2 in // Gemäldegalerie, Berlin

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Guido Reni

On April 28, 2025 - 16th Century, 17th Century, Italian, november 4

Guido Reni, Italian painter, November 4, 1575 – August 18, 1642

Catalogue Raisonné, 1984

Salome with the Head of John the Baptist Oil on canvas, 48 x 37 in // Oxford Town Hall, UK

Atalanta and Hippomenes, 1618-1619 Oil on canvas, 81.1 x 109.8 in // Museo del Prado, Madrid, Spain

Adoration of the Shepherds, after 1640 Oil on panel Columbus Museum of Art

Ecce Homo, 1639

Saint Joseph, n.d. Drawing, 9.4 x 8.7 in

St. Francis c.1610

Angels in Glory (after Luca Cambiaso) , c. 1607 Etching Cleveland Museum of Art

Reclining Venus with Cupid, circa 1639 Oil on canvas , 53.5 in x 68.5 in // Gemäldegalerie Alte Meister, Dresden

David with the Head of Goliath, after 1605 Oil on canvas, 51.6 x 38.6 in // National Museum in Warsaw, Poland

Portrait of the Artist`s Mother, c.1632 Oil on canvas, 25.2 x 21.7 in // National Art Gallery of Bologna

St Jerome, c.1635 Oil on canvas, 93.5 in x 70.2 in // Kunsthistorisches Museum, Vienna

St Cecilia, 1606 Oil on canvas, 37.8 x 29.9 in // Norton Simon Museum, Pasadena, California

St John the Evangelist Reading, c 1640 Oil on canvas, 20.9 × 24.8 in // Liechtenstein Princely Collections, Vienna

St Mary Magdalene Oil on panel, 26.4 × 18.9 in // Liechtenstein Princely Collections, Vienna

Allegory of Fortune, Holding a Crown Oil on canvas, 64 ¾ x 51 5/8 in // Private collection

David Decapitates Goliath, 1607 Oil on canvas, 68.7 x 52.3 in // Arp Museum Bahnhof Rolandseck, German

Sacred Love and Profane Love Oil on canvas, 52 x 64.2 in // Palazzo Spinola, Genoa

The Infant Christ Asleep on the Cross Oil on canvas, 18.5 x 24 in // Liechtenstein Princely Collections, Vaduz, Liechtenstein

Georges Seurat

On April 27, 2025 - 19th Century, december 2, French

Georges Seurat, French painter, December 2, 1859 – March 29, 1891

Georges Seurat, 1888

The Seine at Courbevoie, 1885; France Oil on canvas, 31.9 x 25.6 in // Private Collection

View of Le Crotoy from Upstream, 1889 Oil on canvas, 27.7 in x 34.1 in // Detroit Institute of Arts

The Channel at Gravelines, Evening, 1890 Oil on canvas, 25.74 in x 32.24 in // Museum of Modern Art, New York

Corner of the Harbour, Honfleur, 1886 Oil on canvas, 31.8 x 25.5 in // Kruller-Müller Museum, Otterlo, Netherlands

Sunday at Port-en-Bessin, 1888 Oil on Canvas, 26 x 32 1/2 in // Kröller-Müller Museum, Otterlo, Netherlands

Gray Weather, Grande Jatte, 1888 Oil on canvas, 27.9 × 25.9 in // Metropolitan Museum of Art, New York

Models, 1886 Edit this at Wikidata Oil on canvas, 78.7 x 98.3 in // Barnes Foundation, Philadelphia

View of Fort Samson, 1885 Oil on canvas, 25.5 x 32 in // Hermitage Museum, St Petersburg

Young Woman Powdering Herself, between 1889 and 1890 Oil on canvas, 37.5 x 31.2 in // Courtauld Institute of Art, London

The Beach le Bas Butin at Honfleur, 1886 Oil on canvas, 26.3 x 30.7 in Musée des Beaux-Arts, Tournai

Study of Artist Aman-Jean, 1883 Pencil drawing, 24.4 x 21.3 in // Metropolitan Museum of Art, New York

Georges Seurat, The Echo, Study for Bathers at Asnières, between circa 1883 and circa 1884 Conté crayon on Michallet paper, 12 5/16 × 9 7/16 in Yale University Art Gallery, New Haven, Connecticut

The Echo, Study for Bathers at Asnières, between circa 1883 and circa 1884 Conté crayon on Michallet paper, 12 5/16 × 9 7/16 in // Yale University Art Gallery, New Haven, Connecticut

The Sleeper Louvre, Paris

Madame Seurat, the Artist's Mother, from 1882 until 1883 Black chalk, 12 x 9.1 in // Getty Center, Los Angeles

Café-Concert, between 1887 and 1888 Conté crayon heightened with white chalk, 12 3/8 x 9 5/16 in // Cleveland Museum of Art

L'invalide, circa 1881

The Garbage Picker, from 1887 until 1888 Conté Crayon, 12 x 9.2 in // Museu da Chácara do Céu, Rio de Janeiro

The Zone (Outside the City Walls), 1882–1883 Black conte crayon on cream laid paper, 9 1/2 × 12 3/8 in // Art Institute of Chicago

Eden Concert, (Date unknown) Lithograph Columbus Museum of Art

Jacopo Ligozzi

On April 27, 2025 - 16th Century, 17th Century, Italian, nbd

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Theodor Severin Kittelsen

On April 27, 2025 - 19th Century, 20th Century, april 27, Norwegian

Theodor Severin Kittelsen, Norwegian artist, 27 April 1857 – 21 January 1914

Self-Portrait, 1891 Oil on canvas, 23.6 in x 17.9 in // National Museum of Art, Architecture and Design, Oslo

Troll Who Washes His Brat

Troll Who Wonders How Old He Is, 1911 Illustration

Echo, 1888 Oil on canvas Nordnorsk Kunstmuseum, Tromso, Norway

Soria Moria Castle, 1900 Oil on canvas, 17.8 in x 27 in // National Museum of Art, Architecture and Design, Oslo

Self-Portrait, 1884

Boy on white horse, between 1890 and 1909 Color pencil on paper Nordnorsk Kunstmuseum, Tromsø

Theodor Kittelsen, Jutulkamp (“Giant Fight”)

Askeladden's Adventure

Peer Gynt In the Hall of the Mountain King, 1913

Forest Troll, 1906

Theo Kittelsen “Mom, there’s a witch coming up the hill…”, 1894-95

Theodor Kittelsen: Sjotrollet (Sea Troll), 1887

War Between Frogs and Mice, 1885

17th of May Norwegian Constitution Day

Theodor Severin Kittelsen, The Dragon Awakens

Akseli Gallen-Kallela

On April 26, 2025 - 19th Century, 20th Century, april 26, Finnish

Akseli Gallen-Kallela, Finnish painter, 26 April 1865 – 7 March 1931

Akseli Gallen-Kallela, 1906

Great Black Woodpecker, 1894 Oil on canvas, 57 in x 35.8 in // Musée d'Orsay, Paris

Kalela on a Winter Night, 1896 Oil on canvas, 13.3 in x 10.2 in // Private collection

The Artist's Mother, 1896 Tempera on canvas, 12.9 in x 11.4 in // Nationalmuseum, Stockholm

Lake Keitele, 1905 Oil on canvas, 20.9 x 26 in // National Gallery, London

Matthias Grünewald

On April 25, 2025 - 15th Century, 16th Century, German, nbd

Matthias Grünewald, German Artist, 1470-1528

The Annunciation (detail, Isenheim Altarpiece), c.1515 Oil on wood

The Mocking of Christ, 1503-1505 Oil on panel, 42.9 x 29.2 in // Alte Pinakothek, Munich

Christ Carrying the Cross, 1523-1524 Oil on panel, 75.9 x 59.4 in // Staatliche Kunsthalle Karlsruhe, Germany

Crucifixion of Jesus, 1523-1524 Mixed media on softwood, 76.9 x 56.1 in // Staatliche Kunsthalle Karlsruhe

Isenheim Altarpiece, First opening‎, between 1512 and 1516 Oil on panel, 11 ft x 19.3 ft // Unterlinden Museum, Colmar, France.

Resurrection of Jesus, circa 1515 Oil on panel, 105.9 x 55.5 in // Unterlinden Museum, Colmar, France.

Matthias Grünewald, Saints Paul and Anthony in the Desert, Part of Isenheim Altarpiece, circa 1515 Oil on panel, 104.3 x 55.5 in Unterlinden Museum, Colmar, France.

Saints Paul and Anthony in the Desert, Part of Isenheim Altarpiece, circa 1515 Oil on panel, 104.3 x 55.5 in // Unterlinden Museum, Colmar, France.

Temptation of Saint Anthony, Part of Isenheim Altarpiece, 1512 Oil on panel, 104.3 x 55.5 in // Unterlinden Museum, Colmar, France.

Matthias Grünewald, Concert of Angels and Nativity, Part of Isenheim Altarpiece, circa 1515 Oil on panel, 104.3 x 119.6 in Unterlinden Museum, Colmar, France.

Concert of Angels and Nativity, Part of Isenheim Altarpiece, circa 1515 Oil on panel, 104.3 x 119.6 in // Unterlinden Museum, Colmar, France.

Annunciation, Part of Isenheim Altarpiece, circa 1515 Oil on panel, 105.9 x 55.9 in // Unterlinden Museum, Colmar, France.

Crucifixion, 1501-02 Black chalk on brownish paper, heightened with white, 20.9 x 12.6 in Staatliche Kunsthalle, Karlsruhe

Complaining Pharisee, c. 1511 Black chalk on yellowish paper, cut and mounted, 9.25 x 6.5 in Staatliche Museen, Berlin

Head of a Shouting Man, c.1520 Black chalk on paper, 10.9 x 7.7 in // Kupferstichkabinett Berlin

The Triple Face, c.1525 Chalk on paper, 10.70 in x 7.83 in // Kupferstichkabinett Berlin

Young Man with Folded Hands, between 1522 and 1525 Charcoal on paper, 17.16 in x 12.63 in // Kupferstichkabinett Berlin

Saint Dorothy, circa 1511 Grey pen, with white highlights, 14.13 x 10.19 in // Kupferstichkabinett Berlin

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Sandro Botticelli

On April 24, 2025 - 15th Century, 16th Century, Italian, march 1

Sandro Botticelli, Italian painter, March 1, 1445-May 17, 1510

Christ Carrying the Cross, circa 1490 Tempera on canvas, 52.1 in x 42 in // Beaverbrook Art Gallery, Fredericton, New Brunswick

The Last Communion of Saint Jerome, early 1490s Tempera and gold on wood, 13 1/2 x 10 in // Metropolitan Museum of Art, New York

The Resurrected Christ, ca. 1480 Paint on wood panel (transferred), 18 × 11 3/4 in // Detroit Institute of Arts

Sandro Botticelli, Saint Francis of Assisi with Angels, between 1475 and 1480 Egg tempera with some oil on wood, 19.4 x 12.5 in National Gallery, London

Saint Francis of Assisi with Angels, between 1475 and 1480 Egg tempera with some oil on wood, 19.4 x 12.5 in // National Gallery, London

Mary with the Child and Singing Angels, circa 1480 Oil on poplar panel, 53.7 in round // Gemäldegalerie, Berlin

Lamentation over the Dead Christ, before 1492 Oil, tempera and plaster on poplar panel, 55.1 in x 81.4 in // Alte Pinakothek, Munich

The Outcast, c 1480 (from the Life of Esther)ta Tempera on panel, 18.5 x 16.9 in // Palazzo Pallavicini-Rospigliosi, Rome

The Lamentation Over the Dead Christ, circa 1495 Tempera on panel, 42.1 x 27.9 in // Museo Poldi Pezzoli, Milan

The Return of Judith to Bethulia, 1470 Tempera on panel, 12.2 x 9.4 in // Uffizi Gallery, Florence

Venus and Mars, circa 1483 Tempera on panel, 27.1 x 68.3 in // National Gallery, London

Jean-François Millet

On April 22, 2025 - 19th Century, French, nbd

Jean-François Millet, French artist, October 4, 1814- January 20, 1875

Painter Jean-François Millet by Nadar, 1856–58 Metropolitan Museum, New York

Manor Farm Cousin in Greville, 1854 Watercolor on paper, 8.85 x 11.10 in // Museum of Fine Arts, Budapest, Hungary

Spring, 1868-1873 Oil on canvas, 33.9 x 43.3 in // Musée d’Orsay, Paris

The Large Shepherdess, c.1862 Etching, 12.6 x 9.4 in // Brooklyn Museum, New York

Death and the woodcutter, from 1858 until 1859 Oil on canvas, 30.3 x 39.3 in // Ny Carlsberg Glyptotek, Copenhagen

Haystacks: Autumn, circa 1874 Oil on canvas, 33.4 x 43.3 in // Metropolitan Museum of Art, New York

A Woman Baking Bread, 1854 Oil on canvas, 21.6 x 18.1 in // Kröller-Müller Museum, Otterlo, Netherlands

The Sheepfold, Moonlight, from 1856 until 1860 Oil on panel, 17.8 x 24.9 in // Walters Art Museum, Baltimore

Portrait of the widow Roumy, 1842 Oil on canvas, 28.7 x 23.6 in // Musée Thomas-Henry, Cherbourg-en-Cotentin, France

The Faggot Gatherers, between c 1850 and c1855 Oil on panel, 11.9 x 7 in // National Galleries Scotland, Edinburgh

The Peasant Family, c 1871 Oil on canvas, 43 x 31.8 in // National Museum Cardiff, UK

Head of a Peasant, Study, 1872 Edit this at Wikidata Oil on wood, 28.2 x 26.6 in // Musée des Beaux-Arts de la ville de Paris

Portrait of a Naval Officer, 2nd third 19th century Oil on canvas, 31.8 x 25.5 in // Museum of Fine Arts of Lyon, France

Recalling the Flock, circa 1869 Oil on panel, 4.5 x 6.1 in // Ashmolean Museum, Oxford, UK

The Well at Gruchy, 1854 Oil on canvas, 15.7 x 12.7 in // Victoria and Albert Museum, London

The Tour de Chailly at Barbizon, 1873 Oil on canvas, 36 x 46.4 in // Private collection

Portrait of a Man, circa 1840 Oil on canvas, 23.2 x 18.5 in // Tokyo Fuji Art Museum

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Daniel Lieberman's Imaginary Museum

"A work of art is a transformation of something in order to transform someone." — Paul Valéry

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