François Boucher, September 29, 1703–May 30, 1770, was a French painter, draughtsman, printmaker and designer associated with the Rococo style.
Born in Paris, Boucher trained with his father and briefly with François Lemoyne. He won the Grand Prix in 1723, worked as an engraver, traveled to Italy in 1728 and became a full member of the Académie royale de peinture et de sculpture in 1734.
Boucher produced mythological paintings, pastoral scenes, portraits, landscapes and designs for tapestries, porcelain and the theater. Patronized by Madame de Pompadour and the court of Louis XV, he was appointed First Painter to the King and director of the Académie Royale in 1765.
Portrait of François Boucher by Gustaf Lundberg, 1741–1742
Pastel on prepared blue paper mounted on canvas, 26.6 x 20.3 in
Louvre Museum, Paris
The Triumph of Venus, 1740
Oil on canvas, 51.2 x 63.8 in
Nationalmuseum, Stockholm, Sweden
Diana Leaving Her Bath, 1742
Oil on canvas, 22.4 x 28.7 in
Louvre Museum, Paris
Leda and the Swan, 1742
Oil on canvas, 23.5 x 29.3 in
Los Angeles County Museum of Art
Resting Girl, 1752
Oil on canvas, 23.2 x 28.7 in
Alte Pinakothek, Munich
Venus and Vulcan, 1754
Oil on canvas, 64.8 x 28.1 in
The Wallace Collection, London
Toilette of Venus, after 1743
Oil on canvas, 39.7 x 34.2 in //
Hermitage Museum, St Petersburg
Mars and Venus Surprised by Vulcan, c 1754
Oil on canvas, 64.6 x 28 in
The Wallace Collection, London
Madame de Pompadour, 1756
Oil on canvas, 80.7 x 63.4 in
Alte Pinakothek, Munich
The Dovecote, 1758
Oil on canvas, 18.6 x 28 in
Saint Louis Art Museum
Allegory of Painting, 1765
Oil on canvas, 39.9 x 51.2 in
National Gallery of Art, Washington DC
Reclining Female Nude, Seen from Behind, early 1730s
Red and white chalk on light brown paper, 10.4 x 12.8 in
Private Collection
Aurora Heralding the Arrival of the Morning Sun, c 1765
Brown and black chalk with stumping, heightened with white chalk on buff laid paper, 18.1 x 15.8 in (octagonal)
National Gallery of Art, Washington DC
A Putto with Two Torches, 18th century
Colored chalks on green-gray paper, with a border line in brown ink, 8.7 x 10.8 in
Kupferstich-Kabinett, Dresden, Germany