Nocturne in Blue and Green, 1871 Oil on canvas, 19.7 x 23.3 in // Tate Gallery, London

Bibi Valentin, 1859 Etching, plate: 6 x 9 in Smithsonian American Art Museum, Washington, DC

Crepuscule in Flesh Color and Green: Valparaiso, 1866 Oil on canvas, 75.88 x 58.42 cm Tate Gallery, London

Note in Pink and Brown, ca. 1880 Charcoal and pastel on dark brown wove paper, 11 3/4 x 7 1/4 in // Metropolitan Museum of Art, New York

Harmony in Gray and Green: Miss Cicely Alexander, 1872 - 1873 Oil on canvas, 74 3/4 x 38 1/2 ins // Tate Gallery, London

The Swan, Chelsea, c. 1870 Etching // The Cleveland Museum of Art

Courtyard and Canal, 1879 - 1880 Chalk, 30.1 x 20.2 cm

Nocturne in Black and Gold: The Falling Rocket, 1875 Oil on panel, 23.7 in x 18.2 in // Detroit Institute of Arts  

Grey and Silver: Old Battersea Reach, 1863 Oil on canvas, 20 × 27 in // Art Institute of Chicago

Variations in Violet and Grey—Market Place, Dieppe, 1885 Gouache and watercolor on off-white wove paper, mounted on academy board, 7 15/16 x 5 in // Metropolitan Museum of Art, New York

The Coast of Brittany (aka Alone with the Tide), 1861 Oil on canvas, 34.4 x 45.5 in // Wadsworth Atheneum Museum of Art, Hartford

Study: Maud Seated, 1878 Lithotint with scraping and roulette in black ink on ivory wove proofing paper, 10 7/16 × 7 1/4 in // Art Institute of Chicago

The Dancing Girl, 1868 - 1870 Pastel, 11 x 7 in

Two Doorways, Series/Portfolio: First Venice Set ("Venice: Twelve Etchings,") 1880 Etching and drypoint; fourth state of thirteen (Glasgow); printed in black ink on ivory laid paper, 7 15/16 x 11 1/2 in // Metropolitan Museum of Art, New York

Rose and Silver–Portrait of Mrs. Whibley, 1895-1896 Watercolor on brown paper, 11 1/8 × 7 3/8 in // The National Museum of Asian Art, Washington, DC

The Priest's Lodging, Dieppe, c.1897 Oil on panel, 6.5 x 9.6 in // The Hunterian, University of Glasgow

Arrangement in Gray: Portrait of the Painter, ca. 1872 Oil on canvas, 29 1/2 × 21 in // Detroit Institute of Arts