Kobayashi Kiyochika, September 10, 1847 – November 28, 1915, was a Japanese painter, print designer, and illustrator active from the late Edo period through the Meiji era. Born in Honjo, Edo, as Kobayashi Katsunosuke, he came from a family connected to the Tokugawa shogunate administration and left with the Tokugawa retinue after the restoration of imperial rule in 1868. He returned to Tokyo in 1874 and began producing woodblock prints there in 1876.
Kiyochika was largely self-taught. He associated with Shibata Zeshin and Kawanabe Kyōsai, though the extent of formal study with either artist is uncertain; he also engaged with Western pictorial methods circulating in Yokohama and Tokyo. From 1876 to 1881, he made ninety-three views of Tokyo, and he later worked in book, magazine, and newspaper illustration, painting, and prints relating to the Sino-Japanese and Russo-Japanese wars.
In 1894, Kiyochika opened an art school. His students included Inoue Yasuji, Taguchi Beisaku, and Tsuchiya Kōitsu. Principal collections of his work include the National Museum of Asian Art, Smithsonian Institution; the Metropolitan Museum of Art; the Los Angeles County Museum of Art; the Museum of Fine Arts, Boston; the Honolulu Museum of Art; the Ota Memorial Museum of Art; and the British Museum.
Kobayashi Kiyochika, c 1873
Private Collection
View of Tokyo’s Shin-Ohashi Bridge in Rain, 1876
Woodblock print; ink and color on paper, 9.4 × 14 in
National Museum of Asian Art, Smithsonian Institution, Washington DC
Sunrise at Bandai Bridge, 1877
Color woodblock print on paper, 8.9 × 13.9 in
Honolulu Museum of Art
Taira no Tadamori Captures the Priest of Midō, 1877
Triptych; color woodblock prints, 9.3 × 13.4 in
Los Angeles County Museum of Art
Distant View of Mount Fuji from the Mountains of Hakone, 1878
Woodblock print; ink and color on paper, 9.1 × 13.2 in
Museum of Fine Arts, Boston
Mount Fuji from Edobashi at Dusk, 1879
Woodblock print; ink and color on paper, 9.4 × 14.4 in
National Museum of Asian Art, Smithsonian Institution, Washington DC
Snow at Suruga-chō, c 1879
Color woodblock print on paper, 8.9 × 13.8 in
Ota Memorial Museum of Art, Tokyo
May Evening on Kudanzaka, 1880
Color woodblock print, 8.1 × 12.6 in
Los Angeles County Museum of Art
Fireworks at Ryōgoku, 1880
Woodcut on paper, 8.2 × 12.7 in
Hyogo Prefectural Museum of Art, Kobe, Japan
Before Tarō Inari Shrine at the Asakusa Ricefields, 1881
Woodblock print; ink and color on paper, 8.4 × 12.6 in
National Museum of Asian Art, Smithsonian Institution, Washington DC
Night Stalls at Asakusa, 1881
Woodblock print; ink and color on paper, Dimensions pending verification
Honolulu Museum of Art
Dawn at Kanda Shrine, 1882
Color woodblock print on paper, Dimensions pending verification
Honolulu Museum of Art
Use of Electricity during the Siege of Pyongyang, 1894
Triptych of woodblock prints; ink and color on paper, 14.8 × 28.3 in
Metropolitan Museum of Art, New York