Jan Gossaert, c 1478 – October 1, 1532, was a Netherlandish painter, draftsman, and print designer of the Northern Renaissance. He was probably born in Maubeuge, then in the County of Hainaut, which gave rise to the name “Mabuse” by which he is often known. Little is known of his early training, but he was active in Antwerp by 1503 and became a master in the Guild of Saint Luke. In 1508–1509 he accompanied Philip of Burgundy on a diplomatic mission to Italy, where he studied classical antiquities and Italian Renaissance art firsthand.
Gossaert worked for Philip of Burgundy and other aristocratic patrons in the Low Countries. His paintings include religious subjects, portraits, mythological scenes, and some of the earliest fully developed Renaissance nudes produced north of the Alps. He combined Netherlandish techniques of detailed observation and oil painting with Italianate architecture, classical motifs, and figure types derived from Renaissance models.
He helped introduce Renaissance forms into Netherlandish art and influenced a generation of painters working in the Habsburg Netherlands. His works are held in major collections including the National Gallery, London, the Metropolitan Museum of Art, the Rijksmuseum, the Gemäldegalerie, Berlin, the Prado Museum, and the Royal Museums of Fine Arts of Belgium.
Self-Portrait, c 1525
Oil on panel, 16.9 x 12.2 in
Currier Museum of Art, Manchester
Self portrait, 1515–1520
Sheet with a Study after the “Spinario” and Other Sculptures, c 1509
Pen and gray-brown ink, 10.4 x 8.1 in
Universiteitsbibliotheek Leiden, Prentenkabinet
Standing Warrior in Fantastic Armour with a Halberd, c 1509
Pen and black ink over black chalk, 11 x 6.7 in
Staatliche Kunstsammlungen, Dresden
Adoration of the Magi, 1510 – 1515
Oil on oak wood, 69.7 x 63.7 in
National Gallery, London
Virgin and Child with Saints, c 1511
Black chalk, 16.7 x 12.2 in
Rijksmuseum, Amsterdam
Portrait of Hendrik III, Count of Nassau-Breda, c 1516 – 1517
Oil on panel, 22.5 x 18.1 in
Kimbell Art Museum, Fort Worth
Carondelet Diptych, 1517
Oil on panel, 16.9 x 10.6 in each
Louvre Museum, Paris
Hercules and Deianira, 1517
Oil on oak wood, 14.4 x 10.5 in
Barber Institute of Fine Arts, Birmingham, UK
Adam and Eve, c 1520
Oil on panel, 66.4 x 43.8 in
Windsor Castle, UK
Adam and Eve, c 1520
Pen and ink, brush and ink, and white gouache, on blue-gray prepared paper, 13.7 x 9.4 in
Devonshire Collection, Chatsworth House, Derbyshire
Madonna and Child, c 1520
Oil on panel, 10 x 7.5 in
Mauritshuis, The Hague
St Luke Painting the Madonna, 1520 – 1525
Oil on oak panel, 43.1 x 32.2 in
Kunsthistorisches Museum, Vienna
Venus and Cupid, 1521
Oil on panel, 14.1 x 12.7 in
Royal Museums of Fine Arts of Belgium, Brussels
Hercules Killing Cacus, 1520s
Pen and brush and brown ink over black chalk, squared in black chalk, 14.4 x 21.5 in
Rijksmuseum, Rijksprentenkabinet, Amsterdam
The Three Children of Christian II of Denmark, 1525
Oil on panel, 13.4 x 18.1 in
Royal Collection, UK
Portrait of a Man, 1525 – 1532
Oil on panel, 13.7 x 9.9 in
Royal Museums of Fine Arts of Belgium, Brussels
Danae, 1527
Oil on panel, 45 x 37.5 in
Alte Pinakothek, Munich
Portrait of a Man, possibly Jan Snoeck, c 1530
Oil on panel, 25.1 x 18.7 in
National Gallery of Art, Washington DC
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