Thomas Eakins, July 25, 1844 – June 25, 1916, was an American painter, draftsman, photographer, and teacher. He is widely regarded as one of the most important artists in the history of American art. His work is associated with realism and is noted for its close observation of the human figure, scientific accuracy, and unsentimental depiction of contemporary life.
Born and raised in Philadelphia, Eakins studied at the Pennsylvania Academy of the Fine Arts before continuing his training in Paris under Jean-Léon Gérôme. Returning to Philadelphia in 1870, he devoted his career to painting portraits, athletes, rowers, surgeons, musicians, scientists, and family members. His major works include The Gross Clinic, The Agnew Clinic, and Max Schmitt in a Single Scull. He also became an influential teacher, though controversy over his use of nude models led to his resignation from the Pennsylvania Academy in 1886.
During his lifetime Eakins achieved only limited commercial success, but his reputation grew steadily after his death. Today he is recognized as a central figure in American realism, admired for his technical skill, psychological insight, and commitment to depicting modern life with honesty and precision. His works are held by major institutions including the Philadelphia Museum of Art, the Metropolitan Museum of Art, and the National Gallery of Art.
Self-Portrait, 1889 – 1894
Platinum print
Metropolitan Museum of Art, New York
Self-Portrait, 1902
Oil on canvas
National Academy Museum, New York
Carmelita Requena, 1869
Oil on canvas, 21 x 17 in
Metropolitan Museum of Art, New York
The Pair-Oared Shell, 1872
Oil on canvas, 24 x 35.9 in
Philadelphia Museum of Art
Elizabeth Crowell with a Dog, 1873 – 1874
Oil on canvas, 13.7 x 17.1 in
San Diego Museum of Art
Whistling for Plover, 1874
Watercolor on paper, 16.7 x 11.2 in
Brooklyn Museum, New York
Baseball Players Practicing, 1875
Watercolor over charcoal on paper, 10.6 x 7.9 in
Rhode Island School of Design, Providence
The Gross Clinic, 1875
Oil on canvas, 96.1 x 78.1 in
Philadelphia Museum of Art
The Chess Players, 1876
Oil on panel, 11.7 x 16.7 in
Metropolitan Museum of Art, New York
Portrait of Sarah Ward Brinton, 1878
Oil on canvas
Private Collection
Study for The Crucifixion, 1880
Oil on canvas mounted on wood, 22 x 18 in
Hirshhorn Museum, Washington
Portrait of General George Cadwalader, c 1880
Oil on canvas, 30 x 25.1 in
National Museum of American History, Washington
Mending the Net, 1881
Oil on canvas, 32.1 x 45.1 in
Philadelphia Museum of Art
Mending the Net, 1882
Watercolor on paper, 11.3 x 16.7 in
Private Collection
The Artist's Wife and His Setter Dog, 1884 – 1889
Oil on canvas, 30 x 23 in
Metropolitan Museum of Art, New York
Portrait of Walt Whitman, 1887
Oil on canvas, 30.1 x 24.3 in
Pennsylvania Academy of the Fine Arts, Philadelphia
Clara, 1890s
Oil on canvas, 24 x 20 in
Musée d'Orsay, Paris
Maud Cook, 1895
Oil on canvas, 24.4 x 20 in
Yale University Art Gallery, New Haven
Harrison S. Morris, 1896
Oil on canvas, 54.5 x 36 in
Pennsylvania Academy of the Fine Arts, Philadelphia
The Cello Player, 1896
Oil on canvas, 64.2 x 48.1 in
Pennsylvania Academy of the Fine Arts, Philadelphia
Portrait of Henry Ossawa Tanner, 1897
Oil on canvas, 24.6 x 20.1 in
Hyde Collection, Glens Falls, New York
Billy Smith, c 1898
Oil on canvas, 20 x 16 in
Philadelphia Museum of Art
General E. Burd Grubb, c 1898
Oil on canvas, 30 x 22 in
Yale University Art Gallery, New Haven
Taking the Count, 1898
Oil on canvas, 104 x 93 in
Yale University Art Gallery, New Haven
Between Rounds, 1898 – 1899
Oil on canvas, 50.1 x 39.8 in
Philadelphia Museum of Art
Portrait of Mary Adeline Williams, 1899
Oil on canvas, 24 x 20.1 in
Art Institute of Chicago
Wrestlers, 1899
Oil on canvas, 48.3 x 60 in
Los Angeles County Museum of Art
Frank Jay St John, 1900
Oil on canvas, 20 x 24 in
Fine Arts Museums of San Francisco
Signora Gomez d'Arza, 1901 – 1902
Oil on canvas, 30 x 24 in
Metropolitan Museum of Art, New York
Archbishop William Henry Elder, 1903
Oil on canvas, 66.1 x 45.1 in
Cincinnati Art Museum
Portrait of Charles Percival Buck, 1904
Oil on canvas, 20 x 24 in
Private Collection
Study of an Old Man, before 1911
Oil on canvas, 14.6 x 10.6 in
Private Collection
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